Well, that was quick. 2021 is almost at an end. Time doesn’t just fly, it does so at a steadily increasing relative velocity. It wasn’t a super productive year for me, but it was full of great opportunities and it was busier than last year when I published a grand total of 0 stories. This year, I published 2 new stories and I’m working on a lot of stuff for next year and beyond 2022.
If you’re catching up on work for awards, or just looking for cool stories to read I’ve created this post for you. Just for you. It has links to the stories I published this year, some extra (relevant) information about them and what they are (probably) eligible for, if you’re so inclined. Here you go.
“An Arc of Electric Skin” – Published in Asimov’s Science Fiction Magazine, September 2021
- A roadside mechanic in Lagos walks into a researcher’s office one day and volunteers to undergo an experimental procedure that will increase the conductivity of his skin several orders of magnitude. As the researcher prepares him for the procedure, she becomes emotionally involved with him and learns the tragic reason why he chose to undergo such a process.
- Genre indicators: Science fiction, africanfuturism, social sci-fi, political fiction
- Word count: 2965 (Short Story category)
- Reviewer highlights: Must-Read Speculative Short Fiction: September 2021 in Tor.com, Recommended in Locus Magazine and in SFRevu.
- Eligible For: BSFA, Hugo, Nebula, Nommo, Asimovs Readers Award, Ignyte, Eugie Award, Locus, Theodore Sturgeon Award (and others)
Note: if you want to review/read this story and can’t afford or can’t access an issue of Asimov’s, please reach out to me in the comments or by email.
“Comments on Your Provisional Patent Application for An Eternal Spirit Core” – Published in Clarkesworld Magazine, March 2021
- A man’s brother leaves comments on a shared online document for patent application as he reviews it, and he becomes increasingly alarmed at what the document proposes – a new consciousness-recording technology with a personal loss as its root.
- Genre indicators: Science fiction, africanfuturism, afrofuturism, transhumanism, postcyberpunk
- Word count: 1125 (Short Story category)
- Reviewer Highlights: Must-Read Speculative Short Fiction: March 2021 in Tor.com, Quick Sip Reviews
- Eligible For: BSFA, Hugo, Nebula, Nommo, Ignyte, Eugie Award, Locus, Theodore Sturgeon Award (and others)
Alright, that’s it.
On a related note, I’m also catching up on reading of my own and will (probably) have my usual favourite African SFF up by early next year – ideally January.
Take it easy.
2020 started out dangerously for me. A volcano erupted near Manila just as I was flying into the city to transit back to Kuala Lumpur and we all watched with concern as the pilot had to dodge the dust and volcanic ash cloud to get us into the city. Exciting. Or not. We were the last flight to land before the airport was shut down for 3 days for safety so we were stuck there. It was a mess. One could say it was an omen of what was to come because what followed that in quick succession within the first few weeks of the year was political turmoil, an oil price crash, and then the pandemic and all that followed it.
What a difference a year makes.
Despite all that though, some good things did happen and I look forward to 2021 with cautious optimism that things will get better by the end of it.
Although I didn’t have any new stories published in 2020 (I was just far too busy with personal life and work and research and other things) I did sow the seeds of things that could/should pay off in the future, especially for my writing. I signed with the excellent Van Aggellen African Literary Agency and edited a book I’m quite proud of – Africanfuturism: An Anthology with the good folks at Brittlepaper and it includes stories by some excellent authors: Nnedi Okorafor, TL Huchu, Dilman Dila, Rafeeat Aliyu, Tlotlo Tsamaase, Mame Bougouma Diene, Mazi Nwonwu, and Derek Lubangakene. Its gotten (two!) great reviews from Locus and I personally think it contains some of the best African SF stories of the year. I suppose that makes me eligible for best editor (Short Form) for the Hugo awards and stuff so that’s nice. It is available for free download and you can also read the individual stories online.
Africanfuturism: An Anthology is just one of several places to find excellent African SFF in 2020. There was a lot to choose from. If you want a working list of (almost) everything that came out last year, check out THIS link. (I’d also like to encourage you to please fill this form with any works that might have been missed out, it is growing increasingly difficult to keep up with everything published – which is a good problem to have – but with constraints on my time tightening, its also a problem that’s getting worse). This gives us all plenty of material to be considered for this year’s Nommo awards. Especially in the short fiction category which I have repeated multiple times is the category I enjoy writing, reading and keeping up with most because I basically grew up on SF short fiction – Asimov’s Hugo winners collections and Dozois’s Years Best SF kept me tethered to the field even when I went through the valley of the shadow of my SF reading-death. So as it is now a tradition of sorts, I’d like to highlight the African speculative fiction short stories I read and enjoyed most from the wildly disruptive year gone by.
[Before we begin, as always, a few notes: these are my personal favorites or those that left a lasting impression on me based on my own tastes. They are largely stories I’d personally recommend. Also, while I’ve read a lot of the African SFF short work put out this year, I’m sure I haven’t read everything. I am also really restricting myself to just 10 in this list, as difficult as that is, unlike in previous years where I would use ties to sneak more works in by pairing them with others that are thematically similar. And finally, I usually don’t include my own stories published that year for obvious bias and while Africanfuturism: An Anthology easily contains many of my favorite stories of the year, given how involved I was in shaping those stories, I have decided not to include any of them on this list. So without further ado, here are my 10 favorite African speculative fiction short stories of 2020, in no particular order.]
1. “Things Boys Do” by Pemi Aguda (Nigeria), Nightmare Magazine
I’ve read and loved Pemi’s writing for almost a decade and she’s only getting better. If you’ve never read her work before, she is consistently brilliant at crafting unsettling, weird and very Nigerian stories. I call them Nigerian Gothic. In this particular story, 3 men have new sons of their own but these births don’t bring them joy, only… wrongness. Slowly, their stories converge on each other and on an incident from the past. This is a perfectly constructed story designed by a master craftswoman. Definitely one of my favorite stories of the year, much like her previous story “Manifest“, which if you haven’t read, you really should. (I still think it was a crime that it didn’t make the 2019 Nommo Awards shortlist). Highly Recommended.
2. “And This is How to Stay Alive” by Shingai Njeri Kagunda (Kenya), Fantasy Magazine
This story opens with a shocking suicide and then, through alternating perspectives and the plot device of a mystic potion, constructs a fascinating portrait of sibling love, grief, acceptance, and second chances. I particularly enjoyed the way this story plays with the concept of time and uses it to get at the heart of a family tragedy. Its written with consideration and compassion and is very effecting. Recommended.
3. “The Bend Of Water” by Tiah Marie Beautement (South Africa), Omenana Magazine
Set in a future where Africa was never colonized, an agent for the United African government with latent magical powers is asked to investigate border incursions that have been happening lately. She finds that the incursions are immigrants from the Americas being brought in by a woman with powers of her own, using them to transport refugees across the oceans in a sort of rocket bubble. The two women engage and in so doing, learn about and change each other fundamentally. Tiah has a gift for writing strange and believable romances and this is no exception, Its a standout story in a great issue of Omenana with many good stories that just missed this list and I highly recommend it.
4. “The ThoughtBox” by Tlotlo Tsamaase (Botswana), Clarkesworld Magazine
The story of a woman in an abusive relationship whose boyfriend brings home a device that records and displays their thoughts to one another supposedly to help them communicate better, but of course all is not as it seems. Tlotlo was very prolific in 2020 with stories that seem to share themes. Young female protagonists struggling with identity, sex, relationships and corporate careers in various nightmare scenarios. I like The River of Night, and I edited Behind Our Irises which is wonderful but not in consideration for this list, so I will happily recommend this story which I really enjoyed and which may be the best example of balancing all the recurring themes so that they converge into a truly fascinating, creepy story with a great twist at the end. Recommended.
5. “Rat and Finch Are Friends” by Innocent Chizaram Ilo (Nigeria), Strange Horizons
A beautiful of friendship and love about a boy who is an amusu and can transform into a finch. When he meets another amusu boy that can transform into a rat, they become friends, as the title suggests, and more. But that leads to suppression of both their abilities and their relationship from their school, community and family for different reasons, but with the same somewhat sad result. Still the story is hopeful and moving. Recommended.
6. “The Cult of Reminiscence” by Derek Lubangakene (Uganda), Jalada 09: Nostalgia
A bizarre story about a woman who died but was kept in cryo-stasis by her father and is revived later using nanotechnology to physically repair her brain and body but not the information that was contained in it – her memories. So she goes on an odyssey of sorts, to try to remember who she is, meeting a changed world, strange characters, conflicted family members, cults, and other ‘Revivers’. Its a thoughtful story with lots of consideration given to what memory is and how it is processed and viewed. An opening reminiscent of The Matrix definitely doesn’t hurt. I enjoyed reading it. Recommended.
7. “Fairy Tales for Robots“ by Sofia Samatar (Somalia/USA), Made To Order: Robots and Revolution
This is a story about stories, a story about stories and robots. In it, the protagonist spends one entire night telling classic fairy tales to a robot she has made in the hopes of giving it a kind of personality and in so doing, we learn a few things about the narrator, how she sees herself compared to how the world sees her but also she realizes in each story a metaphor for aspects of robots themselves and the importance of compassion which relates back to the narrators own experience. Samatar has a great grasp of story mechanics and fairy tales and it is all on display here. The story is comprehensive and thoughtful and almost academic and very, very engaging and clever. Highly Recommended.
8. “A Love Song for Herkinal as composed by Ashkernas amid the ruins of New Haven” by Chinelo Onwualu (Nigeria), Uncanny Magazine
This story is set in a sort-of future version of our world where something unexplained has happened and Africa is the only continent left, with all the people of the diaspora magically returned. Also, magic has returned and people have powers. It follows two ex-scammer sisters who now run a hotel, the guests the magical guests they receive and their niece who is coming into her own. It is short but has wonderful worldbuilding which uses many elements of Nigerian folklore and culture in a believable yet fantastical setting which I really enjoy. The prose is authentic and crisp and the story itself is just fun to read. Recommended.
9. “Esmerelda” by Natasha Omokhodion-Banda (Zambia), Doek! 4: Worlds Beyond This One
A humorous tale about a well-to-do Zambian family that purchases a domestic robot to help the lady of the house and the various responses to it. We change points of view – from the robot itself, to the madam of the house herself, to her domestic helper Ba Mutale, constantly getting shifting information and feelings about the role of technology in their lives. Interestingly, its never told from the POV of the man of the house who makes the purchase and in the end, the upgrade that throws things into even more turmoil. In turns funny and revealing, I quite liked this story. Besides, it made me laugh. Recommended.
10. “Convergence in Chorus Architecture” by Dare Segun Falowo (Nigeria), Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora
This is a brilliantly weird Novelette that merges elements of Yoruba mythology with a kind of cosmic horror sensibility to create something unique, all written in exquisite prose. It follows two children who come to strange town of exiles fleeing war, where they are struck by lightning and see visions before one of them is abducted by strange creatures in ships of bone and the other is taken on a journey by the Orisha to try to save her. That summary barely does the story justice. Strange but full of wonderful elements, its a definite standout. I don’t know if it was Dare’s intent but I interpreted the story as a nightmare-metaphor for the lived experience of the transatlantic slave trade and on that level, in my head anyway, every part of the story works spectacularly. Highly Recommended.
Another year, another crop of excellent African speculative fiction with so many writers exploring, commenting on, reflecting and experimenting with our existence in strange, interesting and wonderful ways through fiction. You can read Geoff Ryman’s broad summary of the year in African SFF over at Locus magazine at THIS link. And if you want a working list of (almost) everything that came out last year, check out THIS link. (I’d also like to encourage you to please fill the form with any works that might have been missed out, it is growing increasingly difficult to keep up with everything published but that’s a ‘problem’ I’m grateful for). All this activity (and an expanded nomination window) means there is plenty of material to be considered for this year’s Nommo awards. Which is excellent. (A list of my own 2019 work for your consideration can be found HERE if you feel like checking that out)
As I’ve probably brought up several hundred times, I am a huge fan of short fiction and I read (and write) far more short fiction than I do longer work. I didn’t write much last year but I did try to keep up with my reading so, as has become usual, I’d like to highlight the African speculative fiction short stories I read and enjoyed most from the year, mostly to thank the authors for producing work that I personally appreciated and to fuel discussion and analysis of African speculative fiction stories in general.
[Before we begin, a few notes: these are simply my personal favorites or those that left a lasting impression on me based on my own tastes. They are largely stories I’d personally recommend. My tastes lean toward stories that have a scientific core, experimental structure, beautiful prose, philosophical underpinnings and wildly inventive ideas among other things. Also, while I’ve read a lot of the short work put out this year, I doubt I’ve read everything. And finally, I am working with the ASFS definition of Short Story, which includes stories of up to 17500 words (these may be classed as novelettes in other some other categorizations)
So without further ado, here are my 10 favorite African speculative fiction short stories of 2019, in no particular order.
1. “Corialis” by T. L. (Zimbabwe/UK), Fiyah Magazine of Black Speculative Fiction
Corialis is a hard-SF story that follows Thandeka, one of a group of pioneers trying to establish colony on a moon orbiting a gas giant in a distant solar system teeming with a mass of unicellular life forms that may or may not be intelligent. The settlers have sterilized their own internal biomes in order to better adapt to their new home but things are not going very well and its up to Thandeka to use her knowledge and call upon her Ubuntu heritage to find a way for humans to truly settle this new world. The story beautifully and carefully examines the scientific, philosophical and ethical issues of planetary colonization from a uniquely African viewpoint, with truly fleshed-out characters and Tendai’s usual tight and eloquent prose. It just hits all the right notes. Highly Recommended.
These two stories are somewhat thematically similar in that they feature protagonists that reluctantly embark on journeys and end up paying a heavy price. That’s where the similarities end though, and so while I’m cheating and putting them together so I don’t have to choose between them, I like them both equally even though I like them for different reasons. Principles of Balance, is fantasy adventure, and follows Nbelenyin, an “inbetweener” (physically and spiritually) who exchanges messages between the living and the dead, and supposed to stay out of the affairs of both in order to maintain balance. Lured into taking an assignment beyond the usual, Nbelenyin gets pulled more and more out of “balance”. The story is fast-paced, the character voice is a blend of generalized wise-cracking Hollywood hero and African urban street hustler. More Sea Than Tar, is cli-fi set in a post-climate-dystopia Nigeria where cities are flooded and polluted and the survivors, like our protagonist, Uti, and his family, are trying to come to terms with their new, damaged world. When Uti’s father head out in their canoe to seek out adventure and an alternate source of livelihood, violence ensues. This story is more of a slow build, with exploration of each member of the family’s mental states as well as, well-realized, lovely and terrible imagery of what a climate dystopia could look like in sub-Saharan Africa. In both stories though, when the resolution comes, it is unflinching. Both Recommended.
3. “The Ocean That Fades Into Sky” by Kathleen Kayembe (Congo/USA), Lightspeed Magazine
Set on Uloh-la, a planet that has been colonized by humans who have brought their own gods (Cities, Homes, and Ships) with them, gods who have subjugated the native gods (Sky, Land, and Ocean), this story follows Coasts, a daughter of Ocean who is pretending to be her mother in order to buy time for her mother to gather enough strength to take on the colonizer gods. She needs to maintain the ruse because the colonizer gods organize annual summits to ensure that the conquered gods account for their actions and help the humans settle and if they displease the colonizer gods, they are destroyed, spending two decades reforming themselves only to reappear, weakened. However, Coasts has fallen in love with the daughter of the colonizer gods, Obsequies, setting up a Romeo/Juliet-type situation where the lovers exist in an unbalanced power dynamic and the trust Coasts has put in her lover could lead to dire consequences. The story wears its commentary on race, assimilation and colonialism on its sleeve but the relationships are handled skillfully and the tension is held superbly right until the very end. The story, in its way is hopeful and shows how something cooperative could be formed by the new deities, the children of the old native and colonizer gods. This is a clever blend of science fiction and fantasy that I found completely engrossing. Recommended.
4. “A Million Reasons Why” by Nick Wood (Zambia/South Africa/UK), Learning Monkey and Crocodile
In this science fiction story, set in 2043, Cape Town has become extremely stratified by class, with the rich living atop table mountain and the “99%” living around and serving them. We follow Nonhle, an old woman, constantly in pain due to a chronic disease and living with her adopted daughter, Gill, whose family she used to be a maid to before the father fled to the table top. On the verge of giving it all up, she finds new strength and new ways to work with what her has: her people, her stories, her daughter, to find reasons not to give up and to use her pain to try to change the world around her. This is a clever and thought-provoking story about some difficult but important topics, just the kind of thing that Nick has made a name for himself in addressing. Recommended.
5. “Tiny Bravery” by Ada Nnadi (Nigeria), Omenana
Ada Nnadi delivers a highly enjoyable and relatable superhero drama in this Omenana story (Oh look, I have a story in the issue as well) where superpowers are thrust upon people whether they like it, are prepared for it, can handle it, or not. It is primarily set in a kind of school-cum-therapy-center in Nigeria for such “gifted” youngsters in the vein of Xavier’s school from the X-men comics or the Edgeview school from David Lubar’s Hidden Talents. While the core idea and setting of the story are very familiar, what it lacks in originality of its central conceit, it more than makes up for in execution and heart. The protagonist is a young Nigerian girl with invisibility powers and who likes to stay out of sight who makes friends with a winged girl, whose powers developed very publicly and who is always trying to pluck the wings off. There’s a lot of trauma both girls (and everyone in the story) needs to work through, helping and sometimes hurting each other along the way and the story quite nicely puts it all on display with solid character work, a great sense of place and voice and overall, a caring core that I really enjoyed reading. Recommended.
6. Into Darkness” by Anike Kirsten (South Africa), Nature: Futures
This one is a bullet. Short, sharp, and liable to leave your mind blown. In it, young researcher Siya ventures into a stable, micro black hole, near Victoria falls in Zimbabwe while her long-time friend and co-researcher Busi stays outside to take readings and measure what happens. Only, once she’s in this place where physical laws find themselves stretched to breaking point, she finds something (or should I say, someone) unexpected, and realizes that an incident from long ago may have left her in a hellish loop with no future. Although the setup of the story is sparse (As expected for a flash fiction piece), it works perfectly, using the concept of time in a way I found highly entertaining and clever even after reading it multiple times. Recommended.
Another pair of somewhat thematically similar stories tie on my list despite the fact that I like them for completely different reasons. In this case, the connective tissue is that they both feature protagonists who undergo significant change, a complete change of who and what they are, to become something new, something altogether different. In particular, for both stories, the protagonists seems inevitably drawn to the change.
Pemi’s story brings to bear her great talent for crafting unsettling stories, stories that are definitively weird and numinous. I’m tempted to use (introduce?) the term Nigerian Gothic, to describe the bulk of her work (of which this is exemplary) but I may be overstepping my own knowledge of literary modes and sub-genres. In this story of identity, morality, familial inheritance, reincarnation and possession, Pemi is firing on all cylinders: from her use of the second person narrative (an effective way of inserting the reader into the characters sense of being externally influenced), to its casual escalation of violence, its religious overtones, its distinct Nigerianness and its almost ambiguous delivery (is it truly some sort of spiritual possession or is our main character having a mental breakdown? I think you could theoretically read it both ways). Definitely one of my favorite stories of the year. Highly Recommended.
Wanini’s story in the excellent Jalada 08: Bodies Anthology on the other hand, is perhaps less refined, but perhaps more intriguing in concept and so works for me as a great companion piece to Manifest. The main character in this science fiction drama set (presumably) in a future Kenya chooses to install an experimental body modification that allows one to morph into a plant and experience sensory input the way plants do, an experience she finds herself constantly drawn to. I found the idea here endlessly fascinating, the descriptions of the transformation to be lush, and the characters yearning for the alternate way of being especially palpable. Recommended.
8. “The Lights Go Out One By One“ by Kofi Nyameye (Ghana), Asimovs Science Fiction Magazine
I’ve liked the particularly bold core conceit (Lets steal a star!) of this classic science fiction story ever since I saw an early incarnation of it back in 2014 and I’m especially pleased to see this final version of it in Asimovs (and nominated as a reader favorite no less!) after helping edit its earliest forms and providing feedback on its various iterations through the years. In this, its final, published iteration, a team on a desperate mission to save humanity in a distant solar system, need to steal a star but make a profound discovery and are forced to make a difficult choice. This has all the elements I enjoy, a good scientific core (although it gets somewhat hand-wavy on some of its concepts), a true sense of exploratory wonder and discovery, philosophical and ethical dilemmas, interesting character drama and an inevitable, unflinching ending that feels like a kick to the liver. Highly Recommended.
9. “The Re-evolution of Cloud 9” by Nikhil Singh (South Africa), The Unquiet Dreamer: A Tribute to Harlan Ellison
Nikhil Singh’s writing is, shall I say, hallucinogenic. And in crafting a tribute story to Harlan Ellison, he’s directed all that hallucinogenic, transgressive energy into a dangerous vision of a sort-of afterlife in story of Cordwainer Bird, an ectoplasmic being that hops around time in a ship called Cloud 9 stealing artists from their time and bringing them to the late Devonian while evading, and broadcasting messages (warnings?) about, the creatures (Eye-ders and Mansects) that really control all of existence. OK, its not quite as trippy as that description would have you believe (or is it?). Without spoiling anything, it reads like The Matrix by way of Terry Gilliam, and all the references to Ellison’s work (From I Have No Mouth And I Must Scream to the chosen name of the main character) serve to indicate that all may not be as it seems in this wildly inventive, reverential and highly enjoyable story with a clever ending. Recommended.
10. “Between the Dark and the Dark” by Deji Bryce Olukotun (Nigeria/USA), Lightspeed Magazine
This story has stayed with me since I first read it. In it, the arrival of an alien, crystalline lifeform blooming over the Earth forces humanity to abandon planet and send out a wide variety of generation starships, hoping some will succeed in seeding human life and civilization on another world. They are closely monitored by a cadre of council members called Stewards scattered about the Solar System, and who are given life and death power over all the crews to ensure they fulfill their charters and follow the laws. We follow two characters, Mafokeng (a steward of South African descent) and Rory, one of the crew of the Lions Mane, a ship accused of cannibalism – a crime which the stewards council must evaluate and judge them. But there is more going on than initially indicated. I love the double POV here, the slow unraveling of the complex truth, the elements of detective story as the stewards examine the evidence, the description of ritual, the anthropological eye it turns toward the possible cultural evolution of morality and culture on a generation ship as it tends away from Earth. All of it is excellent and thought provoking. Recommended.
So… those were my favorites (and likely nominees for the Nommos).
What were yours? Any great African SFF stories you’d recommend?
Ah, 2019, you are almost gone from us. Only 1 month to go.
I’ve spent much of this year writing technical reports, documents and research or case study papers so unfortunately, haven’t done that fiction writing.
Here’s the (new) stuff I wrote (some of it from a while ago) that got published in 2019:
“When We Dream We Are Our God” – A short story about fathers, sons, AI, posthumanism, the singularity as well as the shared history and imaginary destiny of humans and computing systems. It appeared in English for the first time in Apex Magazine, May 2019 (it was originally published in the 10 Investigations: All Borders Are Temporary anthology in Norwegian as “Når Vi Drømmer, Er Vi Selv Gud”). It has gotten good feedback, and, positive reviews. This is the story I am most proud of from this years output as it covers an idea that has been interesting to me for a long time.
“Abeokuta52” – Formatted as a a Nairaland post from the future about the impact of an alien craft crash landing in Abeokuta, this story is mostly me experimenting a bit with form. Something I really enjoy. Hint: You should definitely read the comments section. It appeared in Omenana Issue 14, October 2019 which is an excellent issue with some great stories in it. You should definitely check it out. You can find a review here.
“Debut” – which essentially paints a portrait of artificial intelligence as a young artist, was published in Overseas Magazine, March 2019 and I think its a fun story if you enjoy ruminations of the nature of AI and our relationships to it (this is becoming a bit of a thing for me isn’t it?)
“Tends To Zero” – This is the story of a man, his grief and the city of Lagos made flesh. I like to think its very weird and very lyrical and in many ways reflects my feelings about Lagos, it appears in the Nowhereville: Weird Is Other People anthology which received a starred review from Publishers weekly.
If you enjoyed more than one of my short stories, and you’re thinking of nominating any of them for any of the upcoming awards or anything, When We Dream We Are Our God is the one I am most keen on.
“Polaris” – Exiled from Earth for a crime of passion, a young man must learn to survive a barely habitable prison planet and come to peace with his past. It appears in my collection “Incomplete Solutions” and is one of my personal favorites.
“Incompleteness Theories” – An international team, led by a Nigerian physicist, try to invent teleportation technology with haunting, unforeseen results. This is the center-piece of my collection “Incomplete Solutions” and it focuses on the complexity of knowing what makes us human is the only Novella I’ve written so far. Its gotten good reviews so far, been nominated for the Subjective Chaos Kind Of Awards, been listed on the Nerds Of A Feather Recommended reading list and I hope anyone who reads it, enjoys it.
Speaking of my collection, I got to attend and meet so many excellent writers, readers and generally awesome people at this years Ake book and arts festival where “Incomplete Solutions” which came out in June this year (and was noted in both in the Strange Horizons and Locus Magazine year in review and recieve) was one of the festival books on sale (you may have noticed, both the novella and novelette are from this collection) Some of them even let me deface their copies of my book with a hideous signature and barely legible writing. To those who elected that path, I salute you (and thank you, so much, I really hope you enjoy the book). If you read and liked it, do drop a rating/review on goodreads.
Hopefully, as the years comes to a close I’ll be able to finish the story I’ve been working on since last year… if only my schedule will allow. If only…
Speaking of time… I’m also reading as much AfricanSFF from this year that I can so my usual list of favorites is being updated. And updated. And updated…
Well this is fun.
My collection of stories ‘Incomplete Solutions’ is in pre-order now which means its an actual thing in the world which you can buy right now and read soon. It includes my longest story ever – a novella, brand new stories and some previously published stories. Its heavy on the science fiction, just the way I like it, but there’s some fantasy in there too. Just the way I like it.
Some really cool people (some of whom are favorites of mine) had really flattering things to say about it and I’m still amazed by their words.
‘Fierce and urgent – a remarkable new voice.’ Lauren Beukes
‘These are amazing narratives which show assiduous reflection on science, emotion, mysticism and philosophy. With such careful consideration, impeccable science and interesting characters, each story is prose that gently tickles the forebrain. Recommended.’ Tade Thompson
‘A wonderfully eclectic showpiece of hard science fiction and fascinating speculation. The stories in this collection will blow your mind.’ Tendai Huchu
‘Wole Talabi mixes literary skill with speculative SF abilities to make him one of the spearheads of the African revolution in speculative writing.’ Geoff Ryman
You can get a copy here.
So yes, I’m excited. Can you tell? I hope you enjoy reading these stories as much as I’ve enjoyed writing them. And yes, I am already working on my next collection. I have a title ready and everything. It will be called…
It’s almost deadline time for the Nommo Award nominations and I’ve been trying to catch up on my reading for stuff that came out last year and although I tried to read as much as I could, I couldn’t read everything. I still have a fairly long 2018 TBR list. Still, overall, from what I’ve seen, I think 2018 was a pretty good year for African Spec Fic. You can read Geoff Ryman’s broad summary of the year over at Locus magazine at THIS link. And if you want a working list of everything that came out last year, check out THIS link.
As has become usual, I like to highlight short stories which I did manage to read and which I enjoyed most from the year, mostly to thank the authors for producing work that I appreciated and also to help spread the word.
Note: I am working with the ASFS definition of Short Story, which includes stories of up to 17500 words (which may be classed as novelettes in other some other categorizations)
Let’s just jump right into it shall we?
- “Origami Angels” by Derek Lubangakene (Uganda), Omenana
This is a great story about youth, friendship and superpowers. It also has a killer opening line. In it, Duncan and Asaf are schoolmates, one of whom may actually have superpowers, who dedicate themselves to beating a schoolmate at origami. Eventually the origami comes to represent much more, a striving for something greater despite tragedy. Recommended.
- “Of Warps and Wefts” Innocent Chizaram Ilo (Nigeria), Strange Horizons and “Murders Fell from Our Wombs” Tlotlo Tsamaase (Botswana), Apex Magazine
OK I’m cheating a little it with this one by making it a tie (I can’t promise I wont do it again) but it seems best to do it that way for me because I feel they have a lot of the same strengths (and weaknesses). They are both metaphorical fantasy stories with very interesting takes on society and gender but also stories where I feel, the idea, the central conceit was more interesting than the actual story. Still, the ideas behind both stories and the writing styles chosen are so interesting and unusual and just plain bizarre even if they are both a bit confusing that I largely enjoyed them and I’m happy to recommend them.
- “Mother of Invention” by Nnedi Okorafor (Nigeria/USA), Slate Magazine
This is a nice science fiction story that takes the idea of smart homes, plants it firmly in Nigeria, and then extrapolates it into the future. In the story, a pregnant woman named Anwuli whose lover, the father of her child and architect of her home turns out to be married, must give birth alone in the middle of a storm surrounded by deadly pollen from genetically modified plants with only the help of her smart home – Obi 3.
I enjoyed this story for its interesting scientific speculation, Anwuli’s character and the clever portrayal of the home. Recommended.
- “Dreaming Monsters” by Cat Hellisen (South Africa), Learning How to Drown
Cat Hellisen’s spectacular short story collection “Learning To Drown” seems to contain 3 new stories original to the collection, all of which are very strong and embody her typical style: poetic, vivid and grounded writing with strong themes, like fairy tales for adults.
It wasn’t easy picking a favorite, I love every story of hers that I’ve read, but Dreaming Monsters stayed the longest with me after I read it. Set in a world concurrent to ours, it follows a young girl who accompanies her grandmother into the dreaming, cross worlds via dreams to collect items for trade, with all the adventure, tragedy and growth that follows. It’s an amazing story that stands out in an amazing collection and I highly recommend it.
- “The Witching Hour” by Ekpeki Oghenechovwe Donald (Nigeria), Cosmic Roots and Eldritch Shores and Obibi by Dilman Dila (Uganda), A World of Horror.
Oh look. Another tie. But here, as before, I do have a good reason for recommending them together because I enjoyed them for similar reasons. These are both horror-fantasy stories about difficult balances and compromise in which characters viewed in their own societies as evil (I one case a witch and in the other a monster), come to face extreme versions of the evil that they could have become if they’d lacked positive and compassionate figures in their lives. Both stories are elegantly structured and well-paced, building up to the final confrontations smoothly to their conclusions. Recommended.
- “In Her Bones” by Lindiwe Rooney (South Africa), The Dark
This is a powerful, tense, and dark fantasy in which Ayanda, a young woman whose father works for the local crime lord, finds herself put in an impossible situation by the crime lord’s son and chooses to defend herself even though that action means she must pay great price, both physically and spiritually but still, finds a kind of hope somehow, with the support of ancient spirits. I completely enjoyed the world building and the character here. Highly Recommended.
- “Black and Gold” by Mame Bougouma Diene (Senegal/France/USA), Dark Moons Rising on a Starless Night
Diene’s collection is a curious thing. I like the first story “Fistulas”, which I first came across and edited three years ago for the Lights Out: Resurrection anthology. I thought it was a good story, even if it was a bit structurally weak then and I am glad to see it leaner and improved in this version, even if the themes are still a bit muddled. The second story “The Whores, The Dealer and The Diamond”, was confusing and hard to read and perhaps was aiming to do something I just couldn’t see. But the final two stories, “Popobawa” and “Black and Gold” are both excellent, using multiple character perspectives, shifting in time, and using dream sequences to create truly unsettling stories. It was hard to choose between these two but “Black and Gold”, about a bizarre sort of revolutionary movement in Senegal, whose leader, Leuk Daour Mbaye, is possessed by the spirit of a white horse, just edges out for me personally. Mbaye uses his powers to isolate Senegal from the world, control his followers, destroy foreign oil rigs, end corruption, and more. The story comments on the deep links between the past, present and future and how well-meaning revolutions can easily be co-opted into something worse, much worse. I really recommend it (and “Popobawa” too).
- “Memento Mori” by Tiah Marie Beautement (South Africa), Omenana
Who would have thought that a story about a friendship between a boss and an employee could be so tender, especially one where the boss is the personification of Death and the employee is a woman with a disability (hypermotility of the joints caused by Ehlers-Danlos Syndrome). In the story, she works primarily in water, searching out souls that have become detached from their bodies and now float in water, even though they aren’t yet dead. By so doing, she helps them find a kind of peace. The best part of the story is the intimate relationship she has with Death, who cares for her, respects her but doesn’t condescend and isn’t cold to her. While she in turn, helps him independently and skillfully despite the pain. There is just so much kindness and tenderness in the story that its almost impossible not to be moved by it.
- “The Luminal Frontier” by Biram Mboob (Gambia/UK), AfroSFv3
While I do have a story of my own in AfroSfv3, there are so many other great stories as well and I have many personal favorites but if I was forced to pick one as the favorite, I’d take Biram Mboob’s ambitious and lovely story, “The Luminal Frontier”.
This is a great, imaginative science fiction story that begins with an interstellar shipping crime and circles all the way back to a choice on that ship touching on multiple selves, artificial intelligence, and time travel. I also think it works on some level as a metaphor for history and the writing is lovely. Highly Recommended.
- “Brand New Ways (To Lose You Over And Over And Over Again)” by Blaize Kaye (South Africa), Omenana
Blaize Kaye is a man after my own heart. He consistently writes the kind of science fiction I particularly enjoy with far more heart than I could. This story is another amazingly crafted example. It’s a story of love and loss filtered through a science fiction lens that just as much a bullet to the heart as his earlier 2016 effort “Ndakusawa”. In this story, a couple, one of whom has a terminal illness have chosen to give up their bodies and have their consciousnesses uploaded to virtual space, where they have to work to cover the cost of the upload procedure, but where, at least, they can still be together. But once uploaded, they find themselves facing another kind of problem in virtual space with which they try and try again to cope. Clever and Powerful. Highly Recommended.
So… those were my favorites (and likely nominees for the Nommos).
What were yours? Any great African SFF stories you’d recommend?
2018. New year. Time to look back at what I actually got done last year. At least in terms of writing. I find that I was extremely busy with the day job which means I barely got any new writing done (but I really like my day job so its a fair sacrifice). In 2017, I only finished writing two new short stories one of which has been picked up by the good folks at F&SF and the other is pending editorial feedback at another venue. Thankfully, I did enough writing and submitting in 2015 and 2016 that I could maintain the illusion of still getting stuff out there.
Here is the stuff that did make it out and got published in 2017:
“The Regression Test” – Set in a future Lagos, a grumpy old woman is asked by her grandson who runs the family tech business to help test an artificial intelligence that was made to mimic the brain of her genius mother. But of course, nothing is ever simple and things don’t go as expected. This one was published in The Magazine of Fantasy and Science Fiction (F&SF) in January 2017, has gotten good reviews and feedback, been reprinted in a special issue of The Manchester Review, and even been translated into Chinese and published in Science Fiction World (China’s leading science fiction magazine). This is the story I am most proud of from last year especially as F&SF is a magazine I truly admire and I can’t imagine a better first home for this story. I’m very grateful to C.C Finlay, who is an incredible editor.
“Home is Where My Mother’s Heart is Buried” – This is a story of two sisters, immigrants from Nigeria now living in a Mars that has been terraformed by a friendly, shapeshifting alien race, who are now considering returning home again. It appeared in FIYAH! Magazine of Black Speculative Fiction in April 2017. This is one of my most personal stories and one I had been writing and rewriting on off and on for about 5 years before it found the right home. I have been amazed by the very positive feedback it has generated. P Djeli Clark even called it one of the most memorable short stories of the Black fantastic. I’m very grateful to the guys at FIYAH for publishing it and to everyone who read it.
“Nneoma” – The displaced soul of a dead man narrates the story of how he met an incredibly beautiful woman in a bar in Lagos and came to be how he is. This one is based on a story I’ve had for a while but significantly reworked for publication here and it is sort of an introduction to the character ‘Nneoma’ who also appears in I, Shigidi and may appear in future stories. Published in Space and Time in August 2017, this story has been called “Truly unsettling” by reviewers. Which is excellent.
If you enjoyed any of my stories and are nominating for any of the upcoming awards, consider nominating The Regression Test or Home Is Where My Mother’s Heart Is Buried. I love them both.
Other things that happened:
My 2016 story Wednesday’s Story was nominated for a Nommo award in 2017 and while I didn’t win, I am a big fan of both winners (Tendai Huchu and Lesley N. Arimah) and quite pleased with the result. I was also one of the winners of the All Borders are Temporary competition, organised by the Transnational Arts Production. My story “When We Dream We Are Our God” will be published in 2018 along with the other 8 winning stories.
And just at the end of the year, I finally signed a contract to publish my first collection of stories Incomplete Solutions to New Equations of AfroAlchemy with Scottish Independent Press Luna Press Publishing. This collection will contain some brand new, never-before published stories including a new science fiction novella and alternate versions of some previously published stories as well. This should come out sometime in early 2019.
All in all, looking back it was a good year and I’m quite pleased with how it turned out.
Now, I just need to find a way to get back to writing regularly…
Well, 2017 just sprinted by didn’t it?
The first Nommo Awards for African speculative fiction were held at the Ake festival which was a big moment. And there continued to be a lot of great speculative fiction by African authors published around the world.
I was so busy with work all through last year that I barely managed to write anything new, although I did manage to sell/publish a few stories, get some of my work translated and sign a contract for my first fiction collection (more on this in another post). Hopefully that will get rectified this year with a bit more writing on my part.
Still, I did manage to get some reading done, especially with short fiction which I read consistently even though I didn’t manage to read as much as I’d have liked to.
So, as has become usual, here are the African speculative fiction short stories (<7500 words) from 2017 which I read and enjoyed the most, in no particular order.
1. “Read Before Use” by Chinelo Onwualu (Nigeria), Uncanny
In this story, set in the post-apocalyptic future of a well-realized sci-fantasy world, Alia, a immigrant professor living in the classist and xenophobic Satellite City, is trying to revive the city’s failing perpetual power source by searching for its long lost instruction manual (called The Mechanicron). Her noble objective however, soon becomes pressured by the politics of the city and the scheming of others, leading to an unfortunate but inevitable conclusion. This is a brilliant story about class structure and intolerance and the outsiders who try to overcome such illogical things with knowledge, skill, talent or value but often find that they are unable to overcome broken systems. This is a great story and Onwualu’s writing is deft, her characterization is solid and the whole story comes together excellently (unsurprising, she is an excellent editor as well). This one will surely be on my nominations radar. Highly recommended.
2. “Oshun Inc.” by Jordan Ifueko (Nigeria/USA), Strange Horizons
In this humorous and clever modern fantasy, our protagonist Yemi is an Iyami Aje – a minor love goddess – serving the Orisha of rivers, fertility and love, Oshun. Yemi answers the romantic prayers of Orisha worshipers and believers in the diaspora, in the Los Angeles office, which handles Americans of Nigerian descent. In this story, she gets a case which leads her in a few unexpected directions and reveals something to her about the nature of love, desire, attraction and the cleverness of goddesses. I really, really enjoyed the fun tone, the complications in the plot and how it resolves as well as the rich characterization in this story. Its take on the Yoruba Orisha Pantheon as a modern business with agents and offices and branches is similar to something which I also explored in my own “I, Shigidi” a while ago (even if with a very different tone) so I was already predisposed to enjoy this story and thankfully, it did not disappoint. Highly Recommended.
3. “Diaspora Electronica” by Blaize Kaye (South Africa), Migrations: New Short Fiction From Africa
Blaize Kaye, whose work I consistently enjoy, takes the theme of migration and transplants it from the typical presentation of migration as being between places to one of migration between states of being. This is a clever and thought-provoking story where people chose to upload themselves into a digital existence in an attempt to solve the problem of human overpopulation. It is moving and witty and is my favorite of all the stories I read in the Migrations anthology so far (with Stacy Hardy’s excellently written weird fantasy story “Involution” coming a close second, primarily because “Diaspora Electronica’s” Sci-Fi elements are more in my wheelhouse). This one is Highly Recommended.
4. “We Are Born” by Dare Segun Falowo (Nigeria), The Magazine OF Fantasy and Science Fiction
It appears there were a lot of African fantasy stories published in great venues this year that dealt specifically with spirits taking human form and entering the world to find family, and the conflict they come to feel, torn between worlds. And while I somewhat enjoyed “River Boy” by Innocent Chizaram Ilo in Fireside and “The Woman With a Thousand Stars in Her Hair” by Ayodele Olofintuade in Anathema, my personal favorite these types of stories was “We Are Born” by Dare Segun Falowo. In this tale of creation and rebirth set in a realm called Ala, a woman who has had three miscarriages molds a child for herself from clay. The child comes alive when it is filled with the spirit of an abiku in literal a stroke of lightning. The story then follows this mute, clay child as the child engages with the world, his new family and eventually is reborn one final time in a sequence that is one of the most excellent bits of writing I read all year. This story channels all of Dare’s capacity of picturesque, insightful and poetic prose and it is delivered in a unique voice that elicits a strong emotional response. While the protagonist is a bit passive in the story, I still think its core themes of gender, identity, embodiment, motherhood and love all come together in a way that works beautifully. Recommended.
5. “When You Find Such A Thing” by Suyi Davies Okungbowa (Nigeria), Podcastle
In this fascinating story, Oduwa, a young Nigerian wizard, meets his girlfriend’s parents for the first time and during the visit, discovers things about his girlfriend and her family that force him to examine himself, his motivations and his actions deeply. Suyi Davies Okungbowa had several stories published in 2017 and I’ve enjoyed reading all of his work but while “Can Anything Good Come” has great style and voice, and “Our Secrets In Keys” has evocative, beautiful writing and a great theme, this story, When You Find Such A Thing combines the strengths of both stories to produce an excellent fiction cocktail with an uneasy but excellent ending that works brilliantly in revealing the conflict experienced by those who feel they have to hide parts of themselves from those they love. Highly Recommended.
6. “Underworld 101” by Mame Bougouma Diene (Senegal/France/USA), Omenana
A very unsettling, very meta story. In Underworld 101, the future world is overpopulated and humanity is engaged in a massive, labor-intensive construction project to create a living space Underground, to which half of humanity will apparently be relocated in order to relieve the pressure at surface. The story follows a main character whose name is the same as the author’s, Mame Bougouma Diene as he apparently goes through college, learning more and more about his world, learning about the underground project, interacting with his friends, brother, girlfriend and is structured in four parts: Freshman year, Sophomore year, Junior year and College Graduation. I use the word ‘apparently’ twice in describing the setup because as the story and the school years progress both Mame (the character and perhaps the author?) and the reader slowly come to learn that the world is not what it seems. Reality is unreliable, unstable, and that even what seems like progress could just be an illusion, and in the end there may be no choice but to accept the illusion in order to avoid the hard and bitter truth. This is not the most fun story in the world is but it is a brilliantly constructed, incredibly paranoid story with great, patient world-building and a fascinating end that stayed with me long after I finished reading it. Recommended.
7. “On The Other Side of the Sea” by Nerine Dorman (South Africa), Omenana
This wrenching story of sisters travelling west across a war-torn, somewhat post-apocalyptic South Africa, to the sea where they hope to meet their dead mother’s relatives and go to a better, safer place is likely to bring a tear or two to your eye. The sisters carry their mother’s ashes with them as they flee across the land, those ashes seemingly working as both a physical presence and a symbol of the burden of memories, fears, stories and hope she gave them. Along the way they encounter people and make choices that lead the story right up to its harrowing end which I wont spoil here. The entire story is told from the younger sisters point of view which is innocent and confused and vulnerable and gives the story much of its emotional weight. This is a great story that reads to me like Dorman took the Hansel and Gretel fairy tale, harvested its most damaged and beautiful organs and transplanted them to a post-apocalyptic South Africa in order to give life to this heartbreaking story. Highly Recommended.
8. “Cordyceps” by Alvin Kathembe (Kenya), Omenana
This is a neat little sci-fi horror-thriller, in which a Korean mycologist returns from the Congo and checks into his hotel with a deadly infection that may just be the first part of a deliberate and terrible contagion, designed by something beyond mankind but in response to us. The story is competently but not spectacularly written, however its really the idea and story structure that sell the whole thing for me. There is an excellently executed, escalating sense of dread and realization and the story is creepy in all the right ways while keeping the action focused on people and their interactions to keep the reader invested in what is happening. Recommended.
9. “The Name Giver” by Lillian Akampurira Aujo (Uganda), Omenana
This is a surreal story full of Christian imagery about the misplaced soul of a child that was never really born which finds itself existing as a sort of breeze, sustaining itself on music and prayers and trying to figure out the in-between world it finds itself in with other souls like it, as well as the real world. It investigates its own origins as well as the other souls, names them, studies their hurt and pain. Like I mentioned, surreal. But beyond the surreal, its a very touching story that deals with a difficult subject in what comes across as a very curious, very honest way. This, combined with the beautiful, flowing and confident prose kept me fully engaged with the story and I haven’t forgotten it since I first read it. Recommended.
10. “The Old Man with The Third Hand” by Kofi Nyameye (Ghana) in The Manchester Review
The only original story in the special African speculative fiction edition of the Manchester Review is a really good one that defies classification or easy interpretation. The story follows a young girl who becomes friends with an old man who has a hand growing out of his back. He sits by the beach all day and claims to come from the depths of the ocean, to be familiar with Cthulhu (from the famous pantheon of Lovecraftian cosmic entities). The story takes a twist about halfway through which casts doubts about what is truly happening and the reliability of our narrator. This doubt only increases as the tension continues to escalate right up until the end. The story is written in clear prose that reads beautifully and lends the story a wonderful, dreamy tone. I really enjoyed the twist and the ambiguous nature of the ending. Recommended.
Those were my favorites.
What were yours?
If you’re looking for more African Speculative Fiction Stories from 2017 check THIS.