My Favorite African Science Fiction and Fantasy Short Fiction of 2019

Afroscifi baby
Art By Ethiopian artist Fanuel Leul (@fanuel_leul)



Another year, another crop of excellent African speculative fiction with so many writers exploring, commenting on, reflecting and experimenting with our existence in strange, interesting and wonderful ways through fiction. You can read Geoff Ryman’s broad summary of the year in African SFF over at Locus magazine at THIS link. And if you want a working list of (almost) everything that came out last year, check out THIS link. (I’d also like to encourage you to please fill the form with any works that might have been missed out, it is growing increasingly difficult to keep up with everything published but that’s a ‘problem’ I’m grateful for). All this activity (and an expanded nomination window) means there is plenty of material to be considered for this year’s Nommo awards. Which is excellent. (A list of my own 2019 work for your consideration can be found HERE if you feel like checking that out)

As I’ve probably brought up several hundred times, I am a huge fan of short fiction and I read (and write) far more short fiction than I do longer work. I didn’t write much last year but I did try to keep up with my reading so, as has become usual, I’d like to highlight the African speculative fiction short stories I read and enjoyed most from the year, mostly to thank the authors for producing work that I personally appreciated and to fuel discussion and analysis of African speculative fiction stories in general.  

[Before we begin, a few notes: these are simply my personal favorites or those that left a lasting impression on me based on my own tastes. They are largely stories I’d personally recommend. My tastes lean toward stories that have a scientific core, experimental structure, beautiful prose, philosophical underpinnings and wildly inventive ideas among other things. Also, while I’ve read a lot of the short work put out this year, I doubt I’ve read everything. And finally, I am working with the ASFS definition of Short Story, which includes stories of up to 17500 words (these may be classed as novelettes in other some other categorizations)

So without further ado, here are my 10 favorite African speculative fiction short stories of 2016, in no particular order.


1. “Corialis” by Tendai Huchu (Zimbabwe/UK), Fiyah Magazine of Black Speculative Fiction


Corialis is a hard-SF story that follows Thandeka, one of a group of pioneers trying to establish colony on a moon orbiting a gas giant in a distant solar system teeming with a mass of unicellular life forms that may or may not be intelligent. The settlers have sterilized their own internal biomes in order to better adapt to their new home but things are not going very well and its up to Thandeka to use her knowledge and call upon her Ubuntu heritage to find a way for humans to truly settle this new world. The story beautifully and carefully examines the scientific, philosophical and ethical issues of planetary colonization from a uniquely African viewpoint, with truly fleshed-out characters and Tendai’s usual tight and eloquent prose. It just hits all the right notes. Highly Recommended.

2. “Principles of Balance” by Ivana Akotowaa Ofori (Ghana), Jalada 07: After+Life and “More Sea Than Tar” by Osahon Ize-Iyamu (Nigeria) in Reckoning 3

These two stories are somewhat thematically similar in that they feature protagonists that reluctantly embark on journeys and end up paying a heavy price. That’s where the similarities end though, and so while I’m cheating and putting them together so I don’t have to choose between them, I like them both equally even though I like them for different reasons. Principles of Balance, is fantasy adventure, and follows Nbelenyin, an “inbetweener” (physically and spiritually) who exchanges messages between the living and the dead, and supposed to stay out of the affairs of both in order to maintain balance. Lured into taking an assignment beyond the usual, Nbelenyin gets pulled more and more out of “balance”. The story is fast-paced, the character voice is a blend of generalized wise-cracking Hollywood hero and African urban street hustler. More Sea Than Tar, is cli-fi set in a post-climate-dystopia Nigeria where cities are flooded and polluted and the survivors, like our protagonist, Uti, and his family, are trying to come to terms with their new, damaged world. When Uti’s father head out in their canoe to seek out adventure and an alternate source of livelihood, violence ensues. This story is more of a slow build, with exploration of each member of the family’s mental states as well as, well-realized, lovely and terrible imagery of what a climate dystopia could look like in sub-Saharan Africa. In both stories though, when the resolution comes, it is unflinching. Both Recommended.

3. “The Ocean That Fades Into Sky” by Kathleen Kayembe (Congo/USA), Lightspeed Magazine


Set on Uloh-la, a planet that has been colonized by humans who have brought their own gods (Cities, Homes, and Ships) with them, gods who have subjugated the native gods (Sky, Land, and Ocean), this story follows Coasts, a daughter of Ocean who is pretending to be her mother in order to buy time for her mother to gather enough strength to take on the colonizer gods. She needs to maintain the ruse because the colonizer gods organize annual summits to ensure that the conquered gods account for their actions and help the humans settle and if they displease the colonizer gods, they are destroyed, spending two decades reforming themselves only to reappear, weakened. However, Coasts has fallen in love with the daughter of the colonizer gods, Obsequies, setting up a Romeo/Juliet-type situation where the lovers exist in an unbalanced power dynamic and the trust Coasts has put in her lover could lead to dire consequences. The story wears its commentary on race, assimilation and colonialism on its sleeve but the relationships are handled skillfully and the tension is held superbly right until the very end. The story, in its way is hopeful and shows how something cooperative could be formed by the new deities, the children of the old native and colonizer gods. This is a clever blend of science fiction and fantasy that I found completely engrossing. Recommended.


4. A Million Reasons Why” by Nick Wood (Zambia/South Africa/UK), Learning Monkey and Crocodile

nick wood


In this science fiction story, set in 2043, Cape Town has become extremely stratified by class, with the rich living atop table mountain and the “99%” living around and serving them. We follow Nonhle, an old woman, constantly in pain due to a chronic disease and living with her adopted daughter, Gill, whose family she used to be a maid to before the father fled to the table top. On the verge of giving it all up, she finds new strength and new ways to work with what her has: her people, her stories, her daughter, to find reasons not to give up and to use her pain to try to change the world around her. This is a clever and thought-provoking story about some difficult but important topics, just the kind of thing that Nick has made a name for himself in addressing. Recommended.

5. “Tiny Bravery” by Ada Nnadi (Nigeria), Omenana omenana-14-cover-edit

Ada Nnadi delivers a highly enjoyable and relatable superhero drama in this Omenana story (Oh look, I have a story in the issue as well) where superpowers are thrust upon people whether they like it, are prepared for it, can handle it, or not. It is primarily set in a kind of school-cum-therapy-center in Nigeria for such “gifted” youngsters in the vein of Xavier’s school from the X-men comics or the Edgeview school from David Lubar’s Hidden Talents. While the core idea and setting of the story are very familiar, what it lacks in originality of its central conceit, it more than makes up for in execution and heart. The protagonist is a young Nigerian girl with invisibility powers and who likes to stay out of sight who makes friends with a winged girl, whose powers developed very publicly and who is always trying to pluck the wings off. There’s a lot of trauma both girls (and everyone in the story) needs to work through, helping and sometimes hurting each other along the way and the story quite nicely puts it all on display with solid character work, a great sense of place and voice and overall, a caring core that I really enjoyed reading. Recommended.

6. Into Darkness” by Anike Kirsten (South Africa), Nature: Futures into darkness

This one is a bullet. Short, sharp, and liable to leave your mind blown. In it, young researcher Siya ventures into a stable, micro black hole, near Victoria falls in Zimbabwe while her long-time friend and co-researcher Busi stays outside to take readings and measure what happens. Only, once she’s in this place where physical laws find themselves stretched to breaking point, she finds something (or should I say, someone) unexpected, and realizes that an incident from long ago may have left her in a hellish loop with no future. Although the setup of the story is sparse (As expected for a flash fiction piece), it works perfectly, using the concept of time in a way I found highly entertaining and clever even after reading it multiple times. Recommended.

7. “Manifest” by Pemi Aguda (Nigeria), Granta and “Sunset Blues” by Wanini Kimemiah (Kenya), Jalada 08: Bodies


Another pair of somewhat thematically similar stories tie on my list despite the fact that I like them for completely different reasons. In this case, the connective tissue is that they both feature protagonists who undergo significant change, a complete change of who and what they are, to become something new, something altogether different. In particular, for both stories, the protagonists seems inevitably drawn to the change.


Pemi’s story brings to bear her great talent for crafting unsettling stories, stories that are definitively weird and numinous. I’m tempted to use (introduce?) the term Nigerian Gothic, to describe the bulk of her work (of which this is exemplary) but I may be overstepping my own knowledge of literary modes and sub-genres. In this story of identity, morality, familial inheritance, reincarnation and possession, Pemi is firing on all cylinders: from her use of the second person narrative (an effective way of inserting the reader into the characters sense of being externally influenced), to its casual escalation of violence, its religious overtones, its distinct Nigerianness and its almost ambiguous delivery (is it truly some sort of spiritual possession or is our main character having a mental breakdown? I think you could theoretically read it both ways). Definitely one of my favorite stories of the year. Highly Recommended. 


Wanini’s story in the excellent Jalada 08: Bodies Anthology on the other hand, is perhaps less refined, but perhaps more intriguing in concept and so works for me as a great companion piece to Manifest. The main character in this science fiction drama set (presumably) in a future Kenya chooses to install an experimental body modification that allows one to morph into a plant and experience sensory input the way plants do, an experience she finds herself constantly drawn to. I found the idea here endlessly fascinating, the descriptions of the transformation to be lush, and the characters yearning for the alternate way of being especially palpable. Recommended.

8. “The Lights Go Out One By One by Kofi Nyameye (Ghana), Asimovs Science Fiction Magazine


I’ve liked the particularly bold core conceit (Lets steal a star!) of this classic science fiction story  ever since I saw an early incarnation of it back in 2014 and I’m especially pleased to see this final version of it in Asimovs (and nominated as a reader favorite no less!) after helping edit its earliest forms and providing feedback on its various iterations through the years. In this, its final, published iteration, a team on a desperate mission to save humanity in a distant solar system, need to steal a star but make a profound discovery and are forced to make a difficult choice. This has all the elements I enjoy, a good scientific core (although it gets somewhat hand-wavy on some of its concepts), a true sense of exploratory wonder and discovery, philosophical and ethical dilemmas, interesting character drama and an inevitable, unflinching ending that feels like a kick to the liver. Highly Recommended.

9. The Re-evolution of Cloud 9” by Nikhil Singh (South Africa), The Unquiet Dreamer: A Tribute to Harlan Ellisonthe-unquiet-dreamer-a-tribute-to-harlan-ellison-hardcover-ed-by-preston-grassmann-[2]-4789-p

Nikhil Singh’s writing is, shall I say, hallucinogenic. And in crafting a tribute story to Harlan Ellison, he’s directed all that hallucinogenic, transgressive energy into a dangerous vision of a sort-of afterlife in story of Cordwainer Bird, an ectoplasmic being that hops around time in a ship called Cloud 9 stealing artists from their time and bringing them to the late Devonian while evading, and broadcasting messages (warnings?) about, the creatures (Eye-ders and Mansects) that really control all of existence. OK, its not quite as trippy as that description would have you believe (or is it?). Without spoiling anything, it reads like The Matrix by way of Terry Gilliam, and all the references to Ellison’s work (From I Have No Mouth And I Must Scream to the chosen name of the main character) serve to indicate that all may not be as it seems in this wildly inventive, reverential and highly enjoyable story with a clever ending. Recommended.

10. “Between the Dark and the Dark” by Deji Bryce Olukotun (Nigeria/USA), Lightspeed Magazine


This story has stayed with me since I first read it. In it, the arrival of an alien, crystalline lifeform blooming over the Earth forces humanity to abandon planet and send out a wide variety of generation starships, hoping some will succeed in seeding human life and civilization on another world. They are closely monitored by a cadre of council members called Stewards scattered about the Solar System, and who are given life and death power over all the crews to ensure they fulfill their charters and follow the laws. We follow two characters, Mafokeng (a steward of South African descent) and Rory, one of the crew of the Lions Mane, a ship accused of cannibalism – a crime which the stewards council must evaluate and judge them. But there is more going on than initially indicated. I love the double POV here, the slow unraveling of the complex truth, the elements of detective story as the stewards examine the evidence, the description of ritual, the anthropological eye it turns toward the possible cultural evolution of morality and culture on a generation ship as it tends away from Earth. All of it is excellent and thought provoking. Recommended.


So… those were my favorites (and likely nominees for the Nommos).

What were yours? Any great African SFF stories you’d recommend? 

In Writing (Or, What The Hell Did I Do In 2019 Anyway?)

Ah, 2019, you are almost gone from us. Only 1 month to go.

I’ve spent much of this year writing technical reports, documents and research or case study papers so unfortunately, haven’t done that fiction writing.

Here’s the (new) stuff I wrote (some of it from a while ago) that got published in 2019:


Short Stories: 

When We Dream We Are Our God” –  A short story about fathers, sons, AI, posthumanism, the singularity as well as the shared history and imaginary destiny of humans and computing systems. It appeared in English for the first time in Apex Magazine, May 2019 (it was originally published in the 10 Investigations: All Borders Are Temporary anthology in Norwegian as “Når Vi Drømmer, Er Vi Selv Gud”). It has gotten good feedback, and, positive reviews. This is the story I am most proud of from this years output as it covers an idea that has been interesting to me for a long time.

Abeokuta52” – Formatted as a a Nairaland post from the future about the impact of an alien craft crash landing in Abeokuta, this story is mostly me experimenting a bit with form. Something I really enjoy. Hint: You should definitely read the comments section. It appeared in  Omenana Issue 14, October 2019 which is an excellent issue with some great stories in it. You should definitely check it out. You can find a review here.

Debut” – which essentially paints a portrait of artificial intelligence as a young artist, was published in Overseas Magazine, March 2019 and I think its a fun story if you enjoy ruminations of the nature of AI and our relationships to it (this is becoming a bit of a thing for me isn’t it?)

Tends To Zero” – This is the story of a man, his grief and the city of Lagos made flesh. I like to think its very weird and very lyrical and in many ways reflects my feelings about Lagos, it appears in the Nowhereville: Weird Is Other People anthology which received a starred review from Publishers weekly.

If you enjoyed more than one of my short stories, and you’re thinking of nominating any of them for any of the upcoming awards or anything, When We Dream We Are Our God is the one I am most keen on.



“Polaris” – Exiled from Earth for a crime of passion, a young man must learn to survive a barely habitable prison planet and come to peace with his past. It appears in my collection “Incomplete Solutions” and is one of my personal favorites.



“Incompleteness Theories” – An international team, led by a Nigerian physicist, try to invent teleportation technology with haunting, unforeseen results. This is the center-piece of my collection “Incomplete Solutions” and it focuses on the complexity of knowing what makes us human is the only Novella I’ve written so far. Its gotten good reviews so far, been nominated for the Subjective Chaos Kind Of Awards, been listed on the Nerds Of A Feather Recommended reading list and I hope anyone who reads it, enjoys it.


Full cover


Other things:

Speaking of my collection, I got to attend and meet so many excellent writers, readers and generally awesome people at this years Ake book and arts festival where “Incomplete Solutions” which came out in June this year (and was noted in both in the Strange Horizons and Locus Magazine year in review and recieve) was one of the festival books on sale (you may have noticed, both the novella and novelette are from this collection) Some of them even let me deface their copies of my book with a hideous signature and barely legible writing. To those who elected that path, I salute you (and thank you, so much, I really hope you enjoy the book). If you read and liked it, do drop a rating/review on goodreads.

Hopefully, as the years comes to a close I’ll be able to finish the story I’ve been working on since last year… if only my schedule will allow. If only…

Speaking of time… I’m also reading as much AfricanSFF from this year that I can so my usual list of favorites is being updated. And updated. And updated…

My first book ‘Incomplete Solutions’ is now in pre-order

Front cover

Well this is fun.

My collection of stories ‘Incomplete Solutions’ is in pre-order now which means its an actual thing in the world which you can buy right now and read soon. It includes my longest story ever – a novella, brand new stories and some previously published stories. Its heavy on the science fiction, just the way I like it, but there’s some fantasy in there too. Just the way I like it.

Some really cool people (some of whom are favorites of mine) had really flattering things to say about it and I’m still amazed by their words.

Fierce and urgent – a remarkable new voice. Lauren Beukes

These are amazing narratives which show assiduous reflection on science, emotion, mysticism and philosophy. With such careful consideration, impeccable science and interesting characters, each story is prose that gently tickles the forebrain. Recommended.’ Tade Thompson

A wonderfully eclectic showpiece of hard science fiction and fascinating speculation. The stories in this collection will blow your mind.’ Tendai Huchu

Wole Talabi mixes literary skill with speculative SF abilities to make him one of the spearheads of the African revolution in speculative writing.’ Geoff Ryman

You can get a copy here.

So yes, I’m excited. Can you tell? I hope you enjoy reading these stories as much as I’ve enjoyed writing them. And yes, I am already working on my next collection. I have a title ready and everything. It will be called…


My Favorite African SFF from 2018


Hello Hello… 

It’s almost deadline time for the Nommo Award nominations and I’ve been trying to catch up on my reading for stuff that came out last year and although I tried to read as much as I could, I couldn’t read everything. I still have a fairly long 2018 TBR list. Still, overall, from what I’ve seen, I think 2018 was a pretty good year for African Spec Fic. You can read Geoff Ryman’s broad summary of the year over at Locus magazine at THIS link. And if you want a working list of everything that came out last year, check out THIS link.

As has become usual, I like to highlight short stories which I did manage to read and which I enjoyed most from the year, mostly to thank the authors for producing work that I appreciated and also to help spread the word.

Note: I am working with the ASFS definition of Short Story, which includes stories of up to 17500 words (which may be classed as novelettes in other some other categorizations)

Let’s just jump right into it shall we? 


  1. Origami Angels” by Derek Lubangakene (Uganda), Omenana 

This is a great story about youth, friendship and superpowers. It also has a killer opening line. In it, Duncan and Asaf are schoolmates, one of whom may actually have superpowers, who dedicate themselves to beating a schoolmate at origami. Eventually the origami comes to represent much more, a striving for something greater despite tragedy. Recommended.


  1. Of Warps and Wefts Innocent Chizaram Ilo (Nigeria), Strange Horizons and “Murders Fell from Our Wombs Tlotlo Tsamaase (Botswana), Apex Magazine

OK I’m cheating a little it with this one by making it a tie (I can’t promise I wont do it again) but it seems best to do it that way for me because I feel they have a lot of the same strengths (and weaknesses). They are both metaphorical fantasy stories with very interesting takes on society and gender but also stories where I feel, the idea, the central conceit was more interesting than the actual story. Still, the ideas behind both stories and the writing styles chosen are so interesting and unusual and just plain bizarre even if they are both a bit confusing that I largely enjoyed them and I’m happy to recommend them.

  1. Mother of Invention” by Nnedi Okorafor (Nigeria/USA), Slate Magazine

This is a nice science fiction story that takes the idea of smart homes, plants it firmly in Nigeria, and then extrapolates it into the future. In the story, a pregnant woman named Anwuli whose lover, the father of her child and architect of her home turns out to be married, must give birth alone in the middle of a storm surrounded by deadly pollen from genetically modified plants with only the help of her smart home – Obi 3.


I enjoyed this story for its interesting scientific speculation, Anwuli’s character and the clever portrayal of the home. Recommended.

  1. Dreaming Monsters” by Cat Hellisen (South Africa), Learning How to Drown

Cat Hellisen’s spectacular short story collection “Learning To Drown” seems to contain 3 new stories original to the collection, all of which are very strong and embody her typical style: poetic, vivid and grounded writing with strong themes, like fairy tales for adults.


It wasn’t easy picking a favorite, I love every story of hers that I’ve read, but Dreaming Monsters stayed the longest with me after I read it. Set in a world concurrent to ours, it follows a young girl who accompanies her grandmother into the dreaming, cross worlds via dreams to collect items for trade, with all the adventure, tragedy and growth that follows.  It’s an amazing story that stands out in an amazing collection and I highly recommend it.

  1. The Witching Hour by Ekpeki Oghenechovwe Donald (Nigeria), Cosmic Roots and Eldritch Shores and Obibi by Dilman Dila (Uganda), A World of Horror.

Oh look. Another tie. But here, as before, I do have a good reason for recommending them together because I enjoyed them for similar reasons. These are both horror-fantasy stories about difficult balances and compromise in which characters viewed in their own societies as evil (I one case a witch and in the other a monster), come to face extreme versions of the evil that they could have become if they’d lacked positive and compassionate figures in their lives. Both stories are elegantly structured and well-paced, building up to the final confrontations smoothly to their conclusions. Recommended.

  1. In Her Bones” by Lindiwe Rooney (South Africa)The Dark


This is a powerful, tense, and dark fantasy in which Ayanda, a young woman whose father works for the local crime lord, finds herself put in an impossible situation by the crime lord’s son and chooses to defend herself even though that action means she must pay great price, both physically and spiritually but still, finds a kind of hope somehow, with the support of ancient spirits. I completely enjoyed the world building and the character here. Highly Recommended.

  1. Black and Gold” by Mame Bougouma Diene (Senegal/France/USA), Dark Moons Rising on a Starless Night


Diene’s collection is a curious thing. I like the first story “Fistulas”, which I first came across and edited three years ago for the Lights Out: Resurrection anthology. I thought it was a good story, even if it was a bit structurally weak then and I am glad to see it leaner and improved in this version, even if the themes are still a bit muddled. The second story “The Whores, The Dealer and The Diamond”, was confusing and hard to read and perhaps was aiming to do something I just couldn’t see. But the final two stories, “Popobawa” and “Black and Gold” are both excellent, using multiple character perspectives, shifting in time, and using dream sequences to create truly unsettling stories. It was hard to choose between these two but “Black and Gold”, about a bizarre sort of revolutionary movement in Senegal, whose leader, Leuk Daour Mbaye, is possessed by the spirit of a white horse, just edges out for me personally. Mbaye uses his powers to isolate Senegal from the world, control his followers, destroy foreign oil rigs, end corruption, and more. The story comments on the deep links between the past, present and future and how well-meaning revolutions can easily be co-opted into something worse, much worse. I really recommend it (and “Popobawa” too).

  1. Memento Mori” by Tiah Marie Beautement (South Africa), Omenana   


Who would have thought that a story about a friendship between a boss and an employee could be so tender, especially one where the boss is the personification of Death and the employee is a woman with a disability (hypermotility of the joints caused by Ehlers-Danlos Syndrome). In the story, she works primarily in water, searching out souls that have become detached from their bodies and now float in water, even though they aren’t yet dead. By so doing, she helps them find a kind of peace. The best part of the story is the intimate relationship she has with Death, who cares for her, respects her but doesn’t condescend and isn’t cold to her. While she in turn, helps him independently and skillfully despite the pain. There is just so much kindness and tenderness in the story that its almost impossible not to be moved by it.

  1. The Luminal Frontier” by Biram Mboob (Gambia/UK), AfroSFv3

While I do have a story of my own in AfroSfv3, there are so many other great stories as well and I have many personal favorites but if I was forced to pick one as the favorite, I’d take Biram Mboob’s ambitious and lovely story, “The Luminal Frontier”.


This is a great, imaginative science fiction story that begins with an interstellar shipping crime and circles all the way back to a choice on that ship touching on multiple selves, artificial intelligence, and time travel. I also think it works on some level as a metaphor for history and the writing is lovely. Highly Recommended.

  1. Brand New Ways (To Lose You Over And Over And Over Again)” by Blaize Kaye (South Africa), Omenana 


Blaize Kaye is a man after my own heart. He consistently writes the kind of science fiction I particularly enjoy with far more heart than I could. This story is another amazingly crafted example. It’s a story of love and loss filtered through a science fiction lens that just as much a bullet to the heart as his earlier 2016 effort “Ndakusawa”. In this story, a couple, one of whom has a terminal illness have chosen to give up their bodies and have their consciousnesses uploaded to virtual space, where they have to work to cover the cost of the upload procedure, but where, at least, they can still be together. But once uploaded, they find themselves facing another kind of problem in virtual space with which they try and try again to cope. Clever and Powerful. Highly Recommended.


So… those were my favorites (and likely nominees for the Nommos).

What were yours? Any great African SFF stories you’d recommend? 

A Brief History Of My Writing in 2017 (Or, What The Hell Did I Do Last Year Anyway?)

2018. New year. Time to look back at what I actually got done last year. At least in terms of writing. I find that I was extremely busy with the day job which means I barely got any new writing done (but I really like my day job so its a fair sacrifice). In 2017, I only finished writing two new short stories one of which has been picked up by the good folks at F&SF and the other is pending editorial feedback at another venue. Thankfully, I did enough writing and submitting in 2015 and 2016 that I could maintain the illusion of still getting stuff out there.

Here is the stuff that did make it out and got published in 2017:

The Regression Test” –  Set in a future Lagos, a grumpy old woman is asked by her grandson who runs the family tech business to help test an artificial intelligence that was made to mimic the brain of her genius mother. But of course, nothing is ever simple and things don’t go as expected. This one was published in The Magazine of Fantasy and Science Fiction (F&SF) in January 2017, has gotten good reviews and feedback, been reprinted in a special issue of The Manchester Review, and even been translated into Chinese and published in Science Fiction World (China’s leading science fiction magazine). This is the story I am most proud of from last year especially as F&SF is a magazine I truly admire and I can’t imagine a better first home for this story. I’m very grateful to C.C Finlay, who is an incredible editor.

Home is Where My Mother’s Heart is Buried” –  This is a story of two sisters, immigrants from Nigeria now living in a Mars that has been terraformed by a friendly, shapeshifting alien race, who are now considering returning home again. It appeared in FIYAH! Magazine of Black Speculative Fiction in April 2017. This is one of my most personal stories and one I had been writing and rewriting on off and on for about 5 years before it found the right home. I have been amazed by the very positive feedback it has generated. P Djeli Clark even called it one of the most memorable short stories of the Black fantastic. I’m very grateful to the guys at FIYAH for publishing it and to everyone who read it.

Nneoma” – The displaced soul of a dead man narrates the story of how he met an incredibly beautiful woman in a bar in Lagos and came to be how he is. This one is based on a story I’ve had for a while but significantly reworked for publication here and it is sort of an introduction to the character ‘Nneoma’ who also appears in I, Shigidi and may appear in future stories. Published in Space and Time in August 2017, this story has been called “Truly unsettling” by reviewers. Which is excellent.

If you enjoyed any of my stories and are nominating for any of the upcoming awards, consider nominating The Regression Test or Home Is Where My Mother’s Heart Is Buried. I love them both.

Other things that happened:

My 2016 story Wednesday’s Story was nominated for a Nommo award in 2017 and while I didn’t win, I am a big fan of both winners (Tendai Huchu and Lesley N. Arimah) and quite pleased with the result. I was also one of the winners of the All Borders are Temporary competition, organised by the Transnational Arts Production. My story “When We Dream We Are Our God” will be published in 2018 along with the other 8 winning stories.

And just at the end of the year, I finally signed a contract to publish my first collection of stories Incomplete Solutions to New Equations of AfroAlchemy with Scottish Independent Press Luna Press Publishing. This collection will contain some brand new, never-before published stories including a new science fiction novella and alternate versions of some previously published stories as well. This should come out sometime in early 2019.

All in all, looking back it was a good year and I’m quite pleased with how it turned out.

Now, I just need to find a way to get back to writing regularly…

My Favorite African Science Fiction and Fantasy (AfroSFF) Short Fiction of 2017

The Future Of Human Aging (Image Credit: Julie Dillion –

Well, 2017 just sprinted by didn’t it?

The first Nommo Awards for African speculative fiction were held at the Ake festival which was a big moment. And there continued to be a lot of great speculative fiction by African authors published around the world. 

I was so busy with work all through last year that I barely managed to write anything new, although I did manage to sell/publish a few stories, get some of my work translated and sign a contract for my first fiction collection (more on this in another post). Hopefully that will get rectified this year with a bit more writing on my part.

Still, I did manage to get some reading done, especially with short fiction which I read consistently even though I didn’t manage to read as much as I’d have liked to. 

So, as has become usual, here are the African speculative fiction short stories (<7500 words) from 2017 which I read and enjoyed the most, in no particular order.


1. “Read Before Use” by Chinelo Onwualu (Nigeria), Uncanny 


In this story, set in the post-apocalyptic future of a well-realized sci-fantasy world, Alia, a immigrant professor living in the classist and xenophobic Satellite City,  is trying to revive the city’s failing perpetual power source by searching for its long lost instruction manual (called The Mechanicron). Her noble objective however, soon becomes pressured by the politics of the city and the scheming of others, leading to an unfortunate but inevitable conclusion. This is a brilliant story about class structure and intolerance and the outsiders who try to overcome such illogical things with knowledge, skill, talent or value but often find that they are unable to overcome broken systems. This is a great story and Onwualu’s writing is deft, her characterization is solid and the whole story comes together excellently (unsurprising, she is an excellent editor as well). This one will surely be on my nominations radar. Highly recommended.

2. “Oshun Inc.” by Jordan Ifueko (Nigeria/USA)Strange Horizons


In this humorous and clever modern fantasy, our protagonist Yemi is an Iyami Aje – a minor love goddess – serving the Orisha of rivers, fertility and love, Oshun. Yemi answers the romantic prayers of Orisha worshipers and believers in the diaspora, in the Los Angeles office, which handles Americans of Nigerian descent. In this story, she gets a case which leads her in a few unexpected directions and reveals something to her about the nature of love, desire, attraction and the cleverness of goddesses. I really, really enjoyed the fun tone, the complications in the plot and how it resolves as well as the rich characterization in this story. Its take on the Yoruba Orisha Pantheon as a modern business with agents and offices and branches is similar to something which I also explored in my own “I, Shigidi” a while ago (even if with a very different tone) so I was already predisposed to enjoy this story and thankfully, it did not disappoint. Highly Recommended.

3. “Diaspora Electronica” by Blaize Kaye (South Africa), Migrations: New Short Fiction From Africa  


Blaize Kaye, whose work I consistently enjoy, takes the theme of migration and transplants it from the typical presentation of migration as being between places to one of migration between states of being. This is a clever and thought-provoking story where people chose to upload themselves into a digital existence in an attempt to solve the problem of human overpopulation. It is moving and witty and is my favorite of all the stories I read in the Migrations anthology so far (with Stacy Hardy’s excellently written weird fantasy story “Involution” coming a close second, primarily because “Diaspora Electronica’s” Sci-Fi elements are more in my wheelhouse). This one is Highly Recommended.

4. “We Are Born” by Dare Segun Falowo (Nigeria), The Magazine OF Fantasy and Science Fiction 


It appears there were a lot of African fantasy stories published in great venues this year that dealt specifically with spirits taking human form and entering the world to find family, and the conflict they come to feel, torn between worlds. And while I somewhat enjoyed “River Boy” by Innocent Chizaram Ilo in Fireside and “The Woman With a Thousand Stars in Her Hair” by Ayodele Olofintuade in Anathema, my personal favorite these types of stories was “We Are Born” by Dare Segun Falowo. In this tale of creation and rebirth set in a realm called Ala, a woman who has had three miscarriages molds a child for herself from clay. The child comes alive when it is filled with the spirit of an abiku in literal a stroke of lightning. The story then follows this mute, clay child as the child engages with the world, his new family and eventually is reborn one final time in a sequence that is one of the most excellent bits of writing I read all year. This story channels all of Dare’s capacity of picturesque, insightful and poetic prose and it is delivered in a unique voice that elicits a strong emotional response. While the protagonist is a bit passive in the story, I still think its core themes of gender, identity, embodiment, motherhood and love all come together in a way that works beautifully. Recommended.

5. When You Find Such A Thing” by Suyi Davies Okungbowa (Nigeria), Podcastle   


In this fascinating story, Oduwa, a young Nigerian wizard, meets his girlfriend’s parents for the first time and during the visit, discovers things about his girlfriend and her family that force him to examine himself, his motivations and his actions deeply. Suyi Davies Okungbowa had several stories published in 2017 and I’ve enjoyed reading all of his work but while “Can Anything Good Come” has great style and voice, and “Our Secrets In Keys” has evocative, beautiful writing and a great theme, this story, When You Find Such A Thing combines the strengths of both stories to produce an excellent fiction cocktail with an uneasy but excellent ending that works brilliantly in revealing the conflict experienced by those who feel they have to hide parts of themselves from those they love. Highly Recommended.

6. “Underworld 101” by Mame Bougouma Diene (Senegal/France/USA), Omenana 


A very unsettling, very meta story. In Underworld 101, the future world is overpopulated and humanity is engaged in a massive, labor-intensive construction project to create a living space Underground, to which half of humanity will apparently be relocated in order to relieve the pressure at surface. The story follows a main character whose name is the same as the  author’s, Mame Bougouma Diene as he apparently goes through college, learning more and more about his world, learning about the underground project, interacting with his friends, brother, girlfriend and is structured in four parts: Freshman year, Sophomore year, Junior year and College Graduation. I use the word ‘apparently’ twice in describing the setup because as the story and the school years progress both Mame (the character and perhaps the author?) and the reader slowly come to learn that the world is not what it seems. Reality is unreliable, unstable, and that even what seems like progress could just be an illusion, and in the end there may be no choice but to accept the illusion in order to avoid the hard and bitter truth. This is not the most fun story in the world is but it is a brilliantly constructed, incredibly paranoid story with great, patient world-building and a fascinating end that stayed with me long after I finished reading it. Recommended.

7. On The Other Side of the Sea by Nerine Dorman (South Africa), Omenana


This wrenching story of sisters travelling west across a war-torn, somewhat post-apocalyptic South Africa, to the sea where they hope to meet their dead mother’s relatives and go to a better, safer place is likely to bring a tear or two to your eye. The sisters carry their mother’s ashes with them as they flee across the land, those ashes seemingly working as both a physical presence and a symbol of the burden of memories, fears, stories and hope she gave them. Along the way they encounter people and make choices that lead the story right up to its harrowing end which I wont spoil here. The entire story is told from the younger sisters point of view which is innocent and confused and vulnerable and gives the story much of its emotional weight. This is a great story that reads to me like Dorman took the Hansel and Gretel fairy tale, harvested its most damaged and beautiful organs and transplanted them to a post-apocalyptic South Africa in order to give life to this heartbreaking story. Highly Recommended.

8. “Cordyceps” by Alvin Kathembe (Kenya), Omenana  


This is a neat little sci-fi horror-thriller, in which a Korean mycologist returns from the Congo and checks into his hotel with a deadly infection that may just be the first part of a deliberate and terrible contagion, designed by something beyond mankind but in response to us. The story is competently but not spectacularly written, however its really the idea and story structure that sell the whole thing for me. There is an excellently executed, escalating sense of dread and realization and the story is creepy in all the right ways while keeping the action focused on people and their interactions to keep the reader invested in what is happening. Recommended.

9. “The Name Giver” by Lillian Akampurira Aujo (Uganda), Omenana


This is a surreal story full of Christian imagery about the misplaced soul of a child that was never really born which finds itself existing as a sort of breeze, sustaining itself on music and prayers and trying to figure out the in-between world it finds itself in with other souls like it, as well as the real world. It investigates its own origins as well as the other souls, names them, studies their hurt and pain. Like I mentioned, surreal. But beyond the surreal, its a very touching story that deals with a difficult subject in what comes across as a very curious, very honest way. This, combined with the beautiful, flowing and confident prose kept me fully engaged with the story and I haven’t forgotten it since I first read it. Recommended.

10. “The Old Man with The Third Hand” by Kofi Nyameye (Ghana) in The Manchester Review

old man

The only original story in the special African speculative fiction edition of the Manchester Review is a really good one that defies classification or easy interpretation. The story follows a young girl who becomes friends with an old man who has a hand growing out of his back. He sits by the beach all day and claims to come from the depths of the ocean, to be familiar with Cthulhu (from the famous pantheon of Lovecraftian cosmic entities). The story takes a twist about halfway through which casts doubts about what is truly happening and the reliability of our narrator. This doubt only increases as the tension continues to escalate right up until the end. The story is written in clear prose that reads beautifully and lends the story a wonderful, dreamy tone. I really enjoyed the twist and the ambiguous nature of the ending. Recommended.


Those were my favorites.

What were yours? 

If you’re looking for more African Speculative Fiction Stories from 2017 check THIS.

My Favorite African Science Fiction and Fantasy (AfroSFF) Short Fiction of 2016

Masai Cyborg (Image Credit: Rodrigo Galdino –


I think 2016 has been another good year for African speculative fiction, exploring existence in strange, interesting and wonderful ways.

This year, the African speculative fiction society (ASFS) was launched, the Nommos award for speculative fiction was announced, Nnedi Okorafor (Nigeria/USA) won both the Hugo and Nebula awards for best Novella, Acan Innocent Immaculate (Uganda) won the Writivism Short Story Prize with a science-fantasy story, Lesly Nneka Arimah’s (Nigeria) spec-fic story was nominated for the Caine Prize, Walter Dinjos (Nigeria) won 2nd place in the L Rob Hubbard Writers of the Future contest, Unathi Magubeni and Andrew Miller’s (both of South Africa) novels which are both speculative works were nominated for the Etisalat prize for literature, Omenana is now in its 8th issue, AfroSFv2 (edited by Ivor Hartmann) and African Monsters (edited by Margret Helgadottir and Jo Thomas) both published December 2015 continued to make the rounds and gather good reviews, there are excellent new novels by Sofia Samatar (Somalia/USA), Tade Thompson (Nigeria/UK) and Nick Wood (South Africa), a new collection from Lauren Beukes (South Africa) as well as a slew of Africans featured in top genre magazines and anthologies from Clarkesworld, Strange horizons, Apex, Lightspeed… the list goes on and on. The year also saw the worldwide release of the Imagine Africa 500 anthology edited by Billy Kahora (Kenya) and Published by Shadreck Chikoti (Malawi).

All this activity means there is plenty of material to be considered for the inaugural Nommo awards next year. Which is excellent.

Personally, I am a huge fan of short fiction. I read far more short fiction than I do novels. I also write short fiction myself. And like I mentioned last year, I really like ‘Best-Of’ SF/F short story recommendations and lists. I’ve found some of my all time favorite stories on lists such as these.

So in view of all this activity, and in the interest of fueling discussion and analysis of African speculative fiction stories in general, here are my favorite African speculative fiction short stories of 2016, in no particular order.


  1. Ndakusawa” by Blaize Kaye (South Africa), Fantastic Stories of the Imagination 

This amazingly crafted story of love, loss and parenting is a bullet to the heart. At less than a thousand words, it is the shortest story on this list but by far one of my favorites. This is a universal story of a small South African family – a man and his curious, brilliant daughter whose intelligence opens her up to opportunities that keeps putting distance between them physically but not emotionally. In the end, the physical distance becomes incredible, it may be her scientific brilliance that brings them together again. Highly recommended and will be in my nomination list for the Nommos, perhaps even the Hugo.


I have to say, Blaize Kaye seems to be an expert at crafting short stories with a punch – you should also check out his “Revision Theory” in Nature, and “Return to the Source” in Zetetic.


  1. Transit” by Derek Lubangakene (Uganda), Imagine Africa 500  

One of my favorites in this anthology. Set in Kampala, 500 years in the future, this is an action-packed, fast-paced, and unapologetically pulpy high-concept thriller with a well-realized world painted in context. There are no infodumps or ‘as-you-know-bobs’ which some of the other stories suffer from but there is enough for the reader to figure out what is going on and enjoy the ride. In this world, all the men on the continent have been made impotent, and The Hegemony, run by women, controls everything. But when a man finds he has a son, he enlists the help of his mother who used to work for the Hegemony to get the child to a safe place. It features droids, photon guns, molecular displacement teleportation devices and much, much more. The story is so much fun with action on every page and also a lovely twist at the end. I also like that the world in the story isn’t described as a full-tilt dystopia and although there is a protagonist, no one is painted as outright good or evil. Recommended.



  1. The Mama Mmiri” by Walter Dinjos (Nigeria), Beneath Ceaseless Skies 

Walter Dinjos, second place winner of the Writers of the Future Contest, delivers this story of a twin seeking revenge against the man who has sacrificed his twin brother to the spirit of a river across which a bridge is being built by foreigners from England. Dinjos does a great job of building up suspense and highlighting how the people of the village are being betrayed by their own for the benefit of the foreigners, something that resonates with the colonial experience. Although the story is linear and the villain comes across as a bit of a caricature, the quality of the writing and the spiritual, emotional, horror, fantasy, colonialism and revenge elements make for a powerful story. Recommended.


  1. Dream-Hunter” by Nick Wood (South Africa)Omenana Issue 6

One can always count on doctor of clinical psychology and professional writer Nick Wood to deliver a complex, socially conscious and intense story with powerful, disturbing imagery and still make it an exciting and fun read. In this story, the protagonist is a mixed-race (English father, Zulu Mother) Dream-Hunter with a complicated history, who works for the Justice department in the UK, using technology to enter people’s subconscious in order to find evidence that they committed (or did not commit) a crime. On this particular mission however when he enters the dreams of the brutal killer “Sledgehammer Jones”,  who is accused of killing his wife, our protagonist comes face-to-face with aspects of himself. 


In the twisted dreams of this man, his past, the very concepts of right and wrong, violence, vengeance, guilt and even justice are interrogated. It’s a brilliant story and immediately I read it in Omenana, I knew it would still be on my list of favorites by years end. Highly recommended and will probably be in my nomination list for the Nommos.


  1. Virtual Snapshots” by Tlotlo Tsamaase (Botswana), Terraform 

In this very metaphorical story, set in a future Botswana, extreme environmental damage has made it difficult to live in the real world and so most people put their bodies in a sort of stasis and upload themselves into a virtual existence called digiworld. This keeps their cost of existing down. In order  to walk the actual Earth, one has to pay for everything… clean air, water, UV protection, everything.


The protagonist is a young woman who isn’t really loved by her family and can barely afford to live in digiworld, but is summoned out of digiworld and into the real world when her mother becomes ill. We follow her on this journey and her interactions with her family which are not quite as expected. The story is relentlessly sad and bleak but beautiful and full of wonderful imagery. It may not have a tight plot or a water-tight central conceit but as a metaphor for modern life, societal exploitation, family relations and the struggle of an individual to make one’s way in the world and find a place in family and society, it works brilliantly, mostly because the writing is so poetic and honest. Recommended.


  1. One Wit’ This Place” by Muthi Nhlema (Malawi), Imagine Africa 500  

After some sort of war 500 years in the future where the geo-engineers fail to save the world from devastating climate change, a soldier returns home to his wife. He is traumatized, she hides a secret and the earth is changing in terrible ways that affects their lives for the worse. The opening is gripping, the characterization is deft, and the themes – war, love, death, home, climate change, and infidelity – are explored through the interaction between the couple brilliantly. One of the things I loved most about this story was the use of an evolved language – part pidgin, part truncated words (for example the Oce is the Ocean and the Sah is the desert). Of course language in 500 years will be different from the way it is now and it’s done well, so the reader is never lost. The end is tragic but earned and every aspect of the story has an unfortunate beauty to it. Highly recommended.


  1. SunDown” by Acan Innocent Immaculate (Uganda), Munyori Literary Journal 

SunDown is a fascinating bit of science-fantasy that tells the story of Red Sun, a young albino boy awaiting the death of the sun in Nakasongola, a remote region of Uganda. It takes place in the year 2050 and some of humanity has already fled the Earth which will surely die with the sun but only the ‘right’ kind of people, “geniuses with perfect genes” were allowed onto space ships to search for a new home. Red Sun, and the others left behind have features that apparently aren’t quite ‘right’. From here the story explores loss, science, religion, abandonment, mortality, and what it means to be human, through Red Sun’s memories and interactions with the others left behind. It’s a thoughtful story that thrives on mood and feeling (no reason is offered for why the sun is dying 5 billion years ahead of schedule or how Earth survived the evaporation of its oceans during the early red giant phase or why it collapses to a black hole when our sun doesn’t have nearly enough mass to ever become a black hole, etc, etc.) But who cares? Red Sun, Nyambura, Askari, The dwarf, these are all great characters, the writing is confident, beautiful, enjoyable and the subject resonates. In that way, it is a bit like Lesly Nneka Arimah’s “What It Means When A Man Falls From The Sky”. ‘SunDown’ won the 2016 Writivism Short Story Prize. Recommended.


  1. The Wild Dogs” by Mandisi Nkomo (South Africa), Lights Out: Resurrection 

In this story, a Swedish woman leaves her country and family and volunteers to go to South Africa in order to help fight a strange new disease consuming Cape Town and turning its victims into something horrifying. She arrives and finds out that the place, the disease and the people, are not what she thought they’d be and is forced to come face to face with monstrous inhumanity and her own relationship to it as an outsider. I edited this original story for the collection “Lights Out: Resurrection” and I really enjoyed its pace and its themes on policing, politics, race, poverty, and healthcare. I know an editor is not supposed to have favorites but… forgive me. Of the original stories in the collection, I really, really liked this one most. Recommended.




  1. Rusties” by Nnedi Okorafor (Nigeria/USA) and Wanuri Kahiu (Kenya), Clarkesworld Magazine

Set in Nairobi after mechanical traffic robots called Rusties have been deployed, the story follows a woman who considers one Rusty in particular, her friend. This friendship, along with the actions of her cheating boyfriend, inadvertently triggers unrest when natural emergence of a kind of sentience among the networked robots, a solar flare and human mistrust of the intelligent machines collide. The story has a big concept, scope and world but a small, intimate focus, on the woman’s relationship with the Rusty. While this means the story has some slabs of infodumping to explain the situation, it also means that the story never gets boring or goes off on a tangent and we keep caring about the narrator through everything. To be honest even the infodumps are quite interesting. The subject of emergence intelligence/sentience is one I really enjoy and is the subject of a story I just finished writing as well so I loved reading this exploration of the concept by two of Africa’s finest creative minds. I think you will too. Recommended.

Fun fact: This story is inspired by the real-life situation in Kinshasa where the government installed giant solar-powered robots designed by Thérèse Izay Kirongozi to control traffic and mitigate their poor urban planning.



  1. Screamers” by Tochi Onyebuchi (Nigeria/USA) in Omenana Issue 8

I first read this story when the awesome editors at Omenana, by some fortunate accident, sent it to me instead of an edited version of my own story ‘The Last Lagosian’ which appeared in the same issue. I opened the file, realized it wasn’t my story but kept reading anyway. I literally read the whole story standing in the middle of my kitchen, staring at my phone, unable to stop. This is an incredible story that explores policing, family, anger, art, generational and societal injustice, migration, desensitization, frustration, terrorism and weaponized emotion.


I won’t even bother summarizing the plot because at its heart the story is not so much about the mechanics of what is happening, but about the way it makes the reader feel. I think the whole story is one big metaphor. The author even seems to allude to this with the story’s opening.

“When Dad talked about the Screamers, I thought maybe he could’ve been a writer. We were different like that. I was never too good at metaphor myself.”

Tochi, unlike his narrator, is very good at metaphor and as far as metaphors go, this is bullseye. I enjoyed this story and I highly recommend it.


So that’s it. What were your favorite African speculative stories of 2016?


Postscripts: Notes and Other Thoughts: –

  1. Of course I didn’t include any of my own stories. That would have been silly. I did however write quite a lot of short fiction in 2016, you can find those HERE, if you like, and make up your own mind about them.
  2. Needless to say (and yet, here it is, being said [written, but you get the point]), this is a personal list, and I certainly don’t think these are the definitive ‘best-of-the-year’ as some clickbaiters would have you believe. These are simply my personal favorites based on my own reading, tastes and what I’d recommend to anyone shopping for African spec fic from 2016 to read/consider.
  3. I have a natural preference for science fiction over fantasy, horror or any of the other speculative sub-genres so this list is probably biased in that direction.
  4. I’d love to see more East and North African SFF being published. I suspect there’s a hotbed of potential and talent in Kenya, Ethiopia, Algeria, Egypt, Somalia… and many others, that I just don’t get to see. Maybe I’m not yet clued in on the circles. Anyone with information and links to books and magazines from those regions in general, please let me know.
  5. There are several stories published in 2016 that are on my radar and I suspect I will really like as well based on their descriptions. But just haven’t gotten a chance to read them yet. I’m sure I will, eventually. But if you can, check out:
  • The Apologists” by Tade Thompson, Interzone (Science Fiction)
  • Omoshango” by Dayo Ntwari, Lightspeed: People of Colo(u)r Destroy Science Fiction Special Issue(Science Fiction)
  • When The Trees Were Enchanted” by Masimba Musodza,Winter Tales (Fantasy)

And let me know?

UPDATE (20/12/2016): I have now read “The Apologists” by Tade Thompson and I loved it. While it doesn’t particularly focus on Africa or African characters, it has a brilliant premise and a great protagonist. I wrote a review HERE.

  1. Near misses – stories that I have read and enjoyed and that could easily have been on the list as well if 10 wasn’t such a convenient number for such lists. Check them out too.
  1. If there is an African spec story published in 2016 which you thought was spectacular and you don’t see on this list, then check this one. And if you still don’t see it there, then please let me know by filling this form or commenting below.

That’s it for now.

Live long and prosper.

2016 Eligibility Post.

I’ve been told that this is a good thing to do come years end. Heh.

Still, I have a put out quite a bit of work in 2016 that may be eligible for various award-type nominations and stuff in 2017, so I suppose it’s not a terrible idea to make a list for those interested.

This is that list.


Short Stories:

(If you only have the time or energy to consider one short story, I’d suggest you choose “Wednesday’s Story” it’s the most seen and most [well] reviewed of the lot so far.)



  • I, Shigidi” – Abyss and Apex, October 2016


Related Work:




I think I’m also eligible for the Campbell.



The inaugural Nommo awards for African Speculative fiction will be given out this year and then there’s always the Hugo and Nebula and Campbell and Caine and BSFA and several others… so if you read any story, anywhere that you loved this year and you’re eligible to nominate or vote for any awards, I encourage you to do so.

Here is a helpful list of published African Speculative Fiction, sorted by year and a short list of my own 10 personal favorites.

That’s it for now.

Live long and prosper.


Thoughts and Stuff: Early June

So May 2016 has come and gone and it certainly took its sweet time. It was a good month, I think. So much work. Lots of ups and downs but in terms of fiction, mostly good.

My essay ‘Why Africa Needs To Create More Science Fiction which was published in Omenana earlier this year, got reprinted in, a website focused on technology in Africa. I really like their site. You should check them out. The essay is also being translated to French and will be reprinted in that language by french Science fiction magazine Galaxies. Which is cool.

I’ve also been working with Geoff Ryman on a small project to list as many Science fiction and Fantasy short fiction by Africans and 1st generation people of African descent as possible because its important to record and promote these stories as best we can, lest they be ignored. Its being hosted by the good folks at Omenana.

Speaking of short fiction, I’ve had a bunch of my own fiction published recently:

Wednesday’s Story, which is a story about the days of the week made flesh and the stories they tell, is in the hugo-nominated magazine Lightspeed. It contains: forest spirits, time-travel (sort-of), Solomon Grundy, a tortoise, a dragon, a sentient tree-man, and other fantastical things. Its a sequel to my earlier story ‘Thursday which is in the Kalahari review. Its gotten decent reviews in a bunch of places, not everyone liked it but it was recommended by Rich Horton of Locus magazine, which is pretty excellent since Locus is one of the premiere magazines covering the SFF field.

I also have a story in the ‘Imagine Africa 500′ anthology (which I am really looking forward to reading too). Mark Bould reviews the collection here. (Side note: Mark writes some of the best essays and reviews of African SF work out there. His review of ‘African Monsters is one of my favorites) My story is called ‘Necessary and Sufficient Conditions’ and its about one man’s quest for revenge set after a long and brutal singularity war in a new, technologically dominant Africa. His revenge is linked to the reason Africa has become the way it is and this unravels with the story. I have another version of this story with a different ending which I really want to publish somewhere else once this anthology has made the rounds. Maybe somewhere, sometime, next year? Let’s see.

More science fiction from me. Futuristica Vol. 1 which contains my story ‘If They Can Learn’ in which a technical resolutions officer is suddenly called to Nigeria to find out why her company’s cyborg policeman just killed an unarmed teenage boy, is out now. I got the idea for this story after hearing about the shooting of Laquan McDonald and the circumstances surrounding that incident. My name is on the book cover, which is nice. I’ve read the entire anthology myself and its great. There was only one story I didn’t like. Most of the stories are very interesting with lots of cool science fiction ideas of the future and the anthology deliberately includes stories from all over the world so we get a great broad perspective.

Also my story ‘Nested‘ which appeared in hugo-nominated magazine SciPhi Journal, was reviewed favorably by Tangent Online. Cool.

Other thoughts:

I haven’t really liked this season of Game Of Thrones so far. The writers seem to be speeding to the end of the story and taking shortcuts. Having events happen suddenly and too conveniently.

I’m really looking forward to Lightspeed Magazine’s “PoC destroy” issues. The science fiction issue is out this month. Horror and Fantasy follow later in the year.

I’ve taken up an interest in rocketry and planetary dynamics. Lots of equations. Lots of fun.

The NakedConvos’s The Writer competition which I help set up is running smoothly and has produced some great stories so far. I cant pick sides or favorites. May the best writer win.

I’ve recently rediscovered my love for Juno Reactor after almost a decade of not listening to them. The 2008 ‘Shango album is amazing. And I’m not just saying that because its named after the thunder Orisha and has some afrofuturistic sound-based songs on there. I really like just like the album. Pistolero may be my favorite on there.

OK. That’s that.

Cheers people.

My Favorite African Science Fiction and Fantasy (AfroSFF) Short Fiction of 2015

Image via Paul Lewin
Image via Paul Lewin

I have always loved ‘Best-Of’ SF/F short story collections, lists, anthologies. ‘The Hugo Winners’ anthology originally edited by Isaac Asimov was where I first found most of my favorite authors. There is something about stories that move someone enough to want to collect them in a group and say to someone else, “Here, you should read this.”

I’ve also enjoyed the fairly recent and ongoing popularization of African science fiction and fantasy and I’m looking forward to more and more of it being published, read and discussed.

2015 has been a good year for African Science Fiction and Fantasy (or AfroSFF, as seems to be the consensus abbreviation). The year saw the release of Jalada’s Afrofutures anthology, Issues 2, 3, 4 and X of the new and excellent Omenana and  Short Story Day Africa’s Terra Incognita. Still to come are AfroSFv2 (edited by Ivor Hartmann), African Monsters (edited by Margret Helgadottir and Jo Thomas) and Imagine Africa 500 (edited by Billy Kahora and Trine Andersen). So much good stuff to read and more to come.

[Full Disclosure: I’ve also written a few AfroSFF stories published this year, I have a story  forthcoming in Imagine Africa 500 and was meant to have one in AfroSFv2 but it got pulled by the editor a few days before the official announcement.]

So in the interest of fueling discussion and analysis of AfroSFF stories in general, here are my favorite AfroSFF stories of 2015 in no particular order.


1. “eNGAGEMENT” by Richard Oduor Oduku in Jalada’s Afrofutures.

This story of  listlessness, youth, love, virtual reality, longing and weddings set in Nairobi is very afro-cyberpunk and very insightful. Hilarious in parts and deathly-serious in others, this story stayed with me long after I read it. Highly recommended. 

2. “How My Father Became a God” by Dilman Dila in Terra Incognita.

I liked this story because of its style. Its told in typical African folktale language but quickly reveals itself to be something more. Mark Bould compares it to Pan’s Labyrinth, and its easy to see why. It features a Ugandan mad scientist, a journey into an ‘evil bush’ and a plot by male family members to marry off an under-aged girl who runs off to a fantastic place. The story is relentless, interesting and exciting to read. Recommended. 

3. “Look At Me Now” by Sarah Norman in Omenana, Issue 2.

I’m a huge fan of Omenana and their second issue was something spectacular. I still think its the best one they’ve put out. This story in particular follows an African woman  living in the UK who finds that she can turn invisible when she is upset. She goes on a series of typical African-in-diaspora misadventures before returning home to use her power to change things. The story ends violently and strongly. And oh what an ending.  I suspect the story appeals to me so much because it details a lot of the typical African-in-foreign land experience and frustration filtered through a unique and strange lens.

4. “The Monkey House” by Tade Thompson in Omenana, Issue 2.

This brilliantly written, Kafkaesque story of an office worker in 80’s Lagos blends with a folktale involving the Monkey to produce a story that leaves layers of itself on your skin, haunting you in the best possible way. I’ll be nominating this one for a Hugo. Highly recommended.

5. “The Worshipful Company of Milliners” by Tendai Huchu in Interzone, issue 257.

This is a rich and imaginative story, taking the metaphor that every writer wears a unique hat and making it literal. Huchu analyzes the creative process via this premise through the Milliners – fictional characters who make the writers’s unique hats in an old brick factory in Zimbabwe’s capital Harare. I’ll be nominating this one for a Hugo. Highly Recommended. 

6. “Who Will Greet You At Home” by Lesly Nneka Arimah in The New Yorker.

I’ve always wanted to use the call-and-response as a device in a story but never had a plot that lent itself to that. This story does. Arimah’s man-free story of  Nigerian women who literally choose the material they make their daughters from and have them blessed to life by their own mothers is wonderful, strange, horrifying and deeply insightful. I honestly did not like the violent ending she chose for the story but I understand why she ended it that way. A great story. Highly Recommended. 

7. “Last Wave” by Ivor Hartmann in Jalada’s Afrofutures.

Far future science fiction story in which a historian from a galaxy-conquering technological species finds and listens to an ancient recording from the last human who happened to be African. It is thematically similar to another story I really enjoyed this year, Adrian Tchaikovsky’s “Children of Dagon” and I think its interesting to read the two as companion pieces. The way Hartmann reveals how mankind was wiped out and who replaced us as well as the origins of the historian himself are done expertly and engagingly. The writing is clear and unaffected and the idea is big and relevant. This is the kind of classic science fiction I really enjoy and it was my favorite of the issue. I’ll be nominating this one for a Hugo. Highly Recommended. 

8. “The Closest Thing To Animals” by Sofia Samatar in Fireside fiction

It was very difficult to pick my favorite Sofia Samatar story of 2015. “Those“, “Tender“, and “The Closest Thing To Animals” are all great stories and in some ways, quite similar but the last is the one I enjoyed the most. The story is science fiction about artists, disease, quarantine, depression and an anxious Sudanese expatriate who feels that she is constantly abandoned. Its difficult to describe Samatar’s stories because they are always so layered and metaphorical. This one is no exception. Samatar is one of the few authors who write in this way whose work I really and consistently enjoy. The characters are strong and memorable, the story is enjoyably strange and the themes explored are very modern. Highly Recommended. 

9. “Devils Village” by Dayo Ntwari in Roses For Betty and Other Stories (also in Munyori Literary Journal)

Set in a near-future Northern Nigeria in the grip of insurgency, a female mercenary equipped with high-tech exosuit armor finds that things are not what they seem. Propaganda, Commercial warcraft, Islamic fundamentalism, The fog of war, all these things come to play in this fast-paced, confidently-written African military science fiction story. Recommended. 

10. “Discovering Time Travel” by Suleiman Agbonkhianmen Buhari in Jalada’s Afrofutures.

This story is memorable primarily for its style. It has a brief opening, and brief closing, both just long enough to establish a narrator and a scene and in the end, provide closure. The bulk of it is told entirely in dialogue between two people which works unexpectedly well. Time travel stories are notoriously wonky things but this one manages to be engaging and interesting throughout. Recommended.


A few things to note about this list:

  • I’ve not included any of my own stories. Obviously. I think that would be unbearably silly and the worst kind of ego masturbation imaginable.
  • This is a personal list, I do not claim these to be the ‘best-of-the-year’, these are simply my personal favorites based on my own tastes and what I’d recommend to anyone shopping for AfroSFF to read.
  • As mentioned, there is more to come in 2015 so I’ll update this post as the release dates come around and I sink my eye-teeth into the stories.
  • I’ve read a lot of AfroSFF this year but I doubt I’ve read everything so please, if there is an AfroSFF story published in 2015 which you thought was spectacular and you don’t see on this list, let me know in the comments. If its something I haven’t read, I will hunt it down and may update the list depending on how much it moves me.

So that’s it for now. I hope to read more stories and possibly expand this list to 20 by the end of Q1 2016 once I catch up with most of what is released in the year.


Image via Paul Lewin